For European Countries
This product complies with the requirements of EMC Directive 2004/108/EC.
Regulatory and Safety Information
Users in U.S.A
This product has been tested and found to comply with the limits for a Class B digital devices, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.
This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: 1) This device may not cause harmful interference.
2) This device must accept any interference received, including interference that may cause undesired operation.
FCC CAUTION: Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.
Note: The manufacturer is not responsible for any radio or tv interference caused by unauthorized modifications to this equipment. Such modifications could void the user’s authority to operate the equipment.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
NEUTRAL LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For European Countries
This Symbol indicates that in EU countries, this product must be collected separately from household waste, as defined in each region. Products bearing this Symbol must not be discarded together with household waste.
S1
Owner’s Manual
Welcome to the reference manual of VIVO S1 and congratulations to purchasing this Digital Piano.
VIVO S1 is a portable compat size Digital Piano equipped with great sounds that use the new technology called T2L (True to Life), based on interaction between Sampling and Modelling methods.
As the "VIVO" Digital Piano line, VIVO S1 is the first digital instruments "ALIVE", because reactive to your player articulation. VIVO S1has many features, such as sympathetic resonances, harmonics, noises, staccato sounds, timbre variances, real Sustain Pedal simulation etc. that build-up the total my sound using 320 Oscillators with an unlimited notes polyphony. The quality standard has been raised-up to 24 bit - 48KHz with an average of 5 times longer ever recorded samples (15 seconds on lower piano notes).
The sounds was recorded with holophonic method for an amazing 3D listening experience.
You can enjoy the best Grand Pianos, Upright Pianos, Vintage Electric Pianos and many more Sounds Categories with the best quality and playability ever heard.
To ensure that you obtain the maximum enjoyment and take full advantage of the piano functionality, please read all sections of this owner’s manual carefully.
Keep this manual handy for future reference.
Start to take advantage of valuable benefits available simply registering your product on www.dexibell.com. • You can benefit of DEXIBELL's 3 years extended warranty (The extended warranty is subject to terms and conditions. Please refer to the related section).
• Keeps you updated on special offers.
• You can be updated on any new software release and new sounds.
Copyright © 2017 d . All rights reserved. No part of this publication may be reproduced in any form without the written permission of d . OM Ver. e2
1 Important Safety Instruction PLEASE READ CAREFULLY BEFORE PROCEEDING
Always follow the following precaution listed below to avoid user to the risk of serious injury or even death from electrical shock, fire or other hazard .WARNING CAUTION
Only use non-tropical weather
This unit and its AC adaptor can only be safely used in non-tropical weather. The operating temperature range is 5° - 40°C (41° - 104°F).
Do not repair, modify or replace parts by yourself
Do not attempt to repair the unit, modify or replace parts of the product. Please contact all the nearest Dexibell Service Center.
Do not disassemble or modify by yourself
Do not open the unit or its AC adaptor or attempt to disassemble or modify the internal component in any way.
Use only the supplied AC adaptor (DEXIBELL DYS624-120200W). Use only the AC adaptor included with the unit. Connecting a different AC adaptor can cause serious damage to the internal circuitry and may even pose a shock hazard.
Use only the supplied power cord
Use only the AC power cord supplied with the AC adaptor included in the package.
Do not excessively bend the power cord
Do not excessively twist or bend the power cord otherwise you damage it. Damaged cords may cause fire and shock hazards!.
Do not place the unit in an unstable location
Do not place the unit in a unstable position where it might accidentally fall over.
Take care not to allow liquid or foreign objects to enter unit; Do not place containers with liquid on unit
Do not place object filled with liquid (glass of water on this product. Never allow foreign objects (e.g., flammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.
Never place or store the product in the following types of locations • Exposed to extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day).
• Subject to steam or smoke.
• Damp (such washroom, baths, on wet floors).
• Subject to salt water exposure.
• Exposed to rain.
• Dusty or sandy.
• Subject to extreme changes of temperature or humidity (The condensation may occur and water may collect on the surface of the instrument. Wooden parts may absorb water and be damaged).
• Subject to high levels of vibration and shakiness.
Do not drop the unit or subject it to strong impact
Do not drop the unit. Protect it from strong impact!
Do not connect the unit to an outlet with an unreasonable number of other devices
Do not connect the unit’s power-supply cord to an electrical outlet with an unreasonable number of other devices. This could cause the outlet to overheat and possibly cause a fire.
Adults must provide supervision in places where children are present When using the unit in locations where children are present, never leave the unit unattended. Keep a special watch over any children so that they don’t mishandling of the unit can take place.
Avoid extended use at high volume
This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
If you notice any abnormality turn off the unit immediately Turn off the unit and remove the AC adaptor from the outlet when: • If the AC adaptor, the power-supply cord, or the plug has been damaged. • If smoke or unusual smells occurs.
• If the product has been exposed to rain.
• If objects have fallen into, or liquid has been spilled into the unit. • If the unit does not operate or exhibits a marked change in performance. • If the unit has been dropped, or the enclosure of the product has been damaged.
Contact the nearest qualified Service Center.
Batteries safety
• Never expose batteries to excessive heat such as sunshine, fire or the like. • Incorrect handling of batteries, rechargeable batteries, or a battery charger can cause leakage, overheating, fire, or explosion. Before use, you must read and strictly observe all of the precautions that accompany the batteries, rechargeable batteries, or battery charger. When using rechargeable batteries and a charger, use only the combination of rechargeable batteries and charger specified by the battery manufacturer.
Grasp the plug connecting or disconnecting the AC adaptor
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
Do not use wet hands to connect or disconnect AC adaptor
Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an electrical outlet.
Keep clean the AC adaptor’s plug
At regular intervals, unplug the AC adaptor and using a dry cloth clean the adaptor’s plug.
If the unit will be unused for an extended period of time, unplug the AC power cord from the AC outlet.
Keep cables from getting entangled
Try to prevent cords and cables from becoming entangled. Place all cords and cables away from children.
Before cleaning the unit, unplug the AC adaptor from the outlet To avoid electric shock or damage the unit, before cleaning the unit, turn it off and unplug the AC adaptor from the outlet (p. 14).
If there is a possibility of lightning strike in your area, disconnect the AC adaptor from the outlet
If you know a thunderstorm is predicted in your area, disconnect the AC adaptor from the outlet.
Do not rest your weight on or place heavy objects on the unit. Avoid to climb on top of, nor place heavy objects on the unit.
Place in a well ventilated location
The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.
Do not use in tropical climates
Use the unit and the AC adaptor only in a moderate climates (not in tropical climates).
Place near the socket outlet
This equipment should be installed near the socket outlet and disconnection of the device should be easily accessible.
Batteries handling
If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions: • Carefully follow the installation instructions for batteries, and make sure you observe the correct polarity.
• Remove the batteries whenever the unit is to remain unused for an extended period of time.
• Avoid using new batteries together with used ones. In addition, avoid mixing different types of batteries.
• If a battery has leaked, use a soft piece of cloth or paper towel to wipe all remnants of the discharge from the battery compartment. Attention, battery leaks can contain caustic chemicals that irritate the skin, lungs, and eyes. • Never keep batteries together with metallic objects such as ballpoint pens, necklaces, hairpins, etc.
Batteries disposal
Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live.
4
2 Relevant Indications
In addition to the items listed under "Important Safety Instruction" on p. 4, please read and observe the following:
Power supply related
• Do not plug this unit into the same electrical outlet used same by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine or air conditioner). Doing so, can result an audible noise.
• The power adaptor may become warm after long hours of consecutive use. It can be a normal dissipation of heat through the adaptor casing. To reduce the possibility of overheating place the power adaptor on the floor in a well-ventilated location.
• Before connecting the unit to other equipment, turn off the power to all equipment. Otherwise, electrical shock or damage to the equipment may occur.
• If the unit is not operative for 120 minutes. to prevent unnecessary power consumption, this unit features an “AUTO OFF” function that automatically turns the unit off. If you don’t want the unit to turn off automatically, change the “AUTO OFF” setting to “OFF” as described on "Auto OFF" (p. 48).
NOTE
The “AUTO OFF “ setting is memorized when you switch off the unit.
Related to appropriate location
• Do not place the unit near power amplifiers (or other equipment containing large power transformers) to avoid induced hum. In case of hum, to reduce the problem, change the orientation of your unit or place it away from the source of interference .
• Do not use this unit in the vicinity of a TV or radio. This unit may interfere with radio and television reception.
• When using this unit along with application on your iPhone/iPad, we recommend that you set “Airplane Mode” to “ON” on your iPhone/iPad in order to avoid noise caused by communication.
• Noise may be produced if cell phones are operated in the vicinity of this unit. In case of noise you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
• Do not expose the unit to extreme cold or heat, to direct sunlight or near devices that radiate heat. Do not leave the unit inside an vehicle during the day. Extreme temperature can damage the unit.
• Take care when move the unit from one location to another with drastic changes in ambient temperature. Condensation can occur in the unit due to drastic change of temperature. Using the device while condensation is present can cause damage. If there is reason to believe that condensation might have occurred, leave the device for several hours until the condensation has completely dried out.
• Do not place, for long periods of time, vinyl, plastic or rubber objects on this unit. Such objects can discolor or otherwise harmfully affect the finish.
• Do not place objects for long period of time on top of the keyboard. This can be the cause of malfunction of the keys of the keyboard.
• Do not apply any stickers, decals or self-adhesive material to this unit. The glue is difficult to remove and solvents are damaging the exterior finish.
• Do not place object filled with liquid (glass of water on this unit. Avoid to use alcohol, perfume, hairspray, nail polish, etc., near the unit. In the event of liquid spill on the unit, swiftly wipe away the surface using a dry, soft cloth.
Maintenance related
• To clean the unit, put a soft cloth in lukewarm water , squeeze it well, then wipe the entire surface using an equal amount of strength. Rubbing too hard in the same area can damage the finish.
• Do not wipe this unit with benzene, alcohol or solvent of any kind . Doing so may result in discoloration and/or deformation of the unit.
Related to repairs
• Always back up your data on a USB memories before you send this unit for repair to an authorized center. All data contained in the unit’s memory my be lost. Important data should always be backed up, or written down on paper (when possible). Dexibell assumes no liability concerning such loss of data.
Related to external memories
• Insert the USB Memory (commercially available) into the slot with care and at the correct angle.
• Take particular care when handling USB Memory:
• Always ground yourself to something metal before handling an USB Memory.
• Do not touch the pins of the USB Memory connector, or allow them to become dirty.
• Do not subject the USB Memory to temperature extremes (e.g., direct sunlight in an enclosed vehicle).
• Do not allow the USB Memory to become wet.
• Do not drop or subject it to excessive shock or vibration.
• Do not disconnect the USB Memory while writing and reading data (i.e., while the USB Memory indicator blinks).
• Never use USB hub to connect USB Memory to the unit.
• This unit allows you to use commercially available USB Memory. You can purchase such devices at a computer store, a digital camera dealer, etc.
• The audio recording require a USB storage device to support high sustained transfer rates. Not all USB devices will guarantee flawless performance.
5
Precautions for batteries (not supplied) • Keep the batteries out of reach of babies or small children.
• Do not use or store batteries at high temperature, such as in strong direct sunlight, in cars during hot weather or directly in front of heaters. This may cause battery fluid leakage, impaired performance and shorten the batteries’ service life.
• The temperature range for use of the batteries depends on the battery type being used. Please see the documentation that came with the batteries.
• Do not splash fresh or saltwater on a battery or allow the terminals to become damp. This may cause heat generation and formation of rust on the battery and its terminals.
• Do not alter or remove protective mechanisms or other parts. Never disassemble the batteries.
• Do no strike or drop the batteries. Strong impact can cause leakage of battery fluid, heat generation, bursting or fire.
Other precautions
• The contents of memory could be lost due to malfunction or improper operation. To help prevent the loss of your data, we highly recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on another storage device. (e.g., USB memories).
• Unfortunately, an error may occur during the data restore previously stored in the USB memories. Dexibell shall not be liable for loss of profits or any consequential loss, loss of data.
• Do not use excessive force when handling unit’s buttons, switches, sliders and controls and when use connectors and jacks. Rough handling can cause damage o malfunctions.
• Do not to apply strong pressure on the display.
• Always pull by the connector when disconnecting a cable, never pull the cable Not doing so you will cause shorts, or damage to the cable’s internal elements.
• Keep the unit’s volume levels down. The instrument should be used at a reasonable volume, to avoid disturbing neighbours, especially at night and in the early morning. Use headphones if you want to play your music loud or late at night.
• When you need to transport the unit, put it in its original packaging with padding in the box. Otherwise, you will need to use equivalent packaging materials. When transporting or moving the unit always use two or more people.
• For connecting this unit use cable low impedance cables. The use of cables that contain resistor can cause the sound level to be extremely low, or impossible to hear.
Relevant Indications
Related to copyright and trademarks
• Dexibell do not assume legal liability regarding any infringements of the user through the use of this unit.
• Recording, copying, distribution of copyrighted material (songs, live performance, etc.) belonging to a third party in part or in whole without the permission of the copyright owner is forbidden by law.
• Copyright © 2003 by Bitstream, Inc. All rights reserved. Bitstream Vera is a trademark of Bitstream, Inc.
• iPad® and iPhone® are registered trademarks of Apple Inc. • App Storesm is an Apple’s Service Mark.
Conventions Used in This Manual
The following symbols are used.
NOTE It indicates an important note; be sure to read it.
MEMO It indicates a memo regarding the setting or function; It’s up to you read it.
TIPS It indicates a useful hint for operation; read it as necessary.
6
Contents
Important Safety Instruction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Relevant Indications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Panel Description. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Connections Quick Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Quick Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Before You Start to Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Connecting the AC Adaptor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Installing and Removing Batteries. . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Battery charge indication. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Battery duration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Connecting the Pedals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Connecting External Audio Amplifier. . . . . . . . . . . . . . . . . . . . . . . . 15 Listening Through Headphones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Connecting Digital Player devices. . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Connecting the VIVO S1 to Your Computer. . . . . . . . . . . . . . . . . . . 16 Connecting an USB Memory (commercially available). . . . . . . . 16 Safely Remove the USB Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Connecting an USB MIDI Interface (commercially available). . . 17 Ground Terminal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Turning the Power On/Off. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Turning the Power Off. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Demo of the VIVO S1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 About the Display and Cursor Operation. . . . . . . . . . . . . . . . . . . . . 19 Main Page. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Assigning the Name You Specify. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Moving the cursor and setting parameter values. . . . . . . . . . . . . 20
Selecting Tones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Grand Piano Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 How to Select Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Most Frequently Used Tones (Favorite Tone). . . . . . . . . . . . . . . . . 21 Playing Two Sounds Over the Entire keyboard (Layer). . . . . . . . . 22 Splitting the Keyboard Range and Playing Two Different Tones22 Playing the Lower, Main and Coupled Part Splitting the
Keyboard Range. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 How to change the Split Point. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Mute the Lower Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Tone MIDI Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Additional Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Importing USER Sound Library. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 How to Select USER Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Deleting USER Sound Library. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Sound Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Going Around Sound Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Adding Reverb to the Sound. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Personalizing Your Sounds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 T2L Sound Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Making Slight Additions or Sound Alterations. . . . . . . . . . . . . . . . 28
Other Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Transposing the pitch of the keyboard . . . . . . . . . . . . . . . . . . . . . . . 30 Shifting the Tuning of a Keyboard Part in Octave Steps . . . . . . . . . . 30 Adjusting the Volume for Each Part . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Adjusting the Keyboard Response (Key Touch). . . . . . . . . . . . . . . 30 Adjusting the AUDIO IN Input Level . . . . . . . . . . . . . . . . . . . . . . . . . 31 Master Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Master Equalizer Preset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Saving Your User Preset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Restoring the Factory Settings (Factory Reset). . . . . . . . . . . . . . . . 31
Practice with Song Player. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Playing a Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Useful Song Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Recording Your Performance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Recording Your Music as audio data (WAVE).. . . . . . . . . . . . . . . . . 34 How to Record your Performance over an Existing Audio Base (Overdub). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Working with the Memories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 About the Memories and Memory Set structure.. . . . . . . . . . . . . 35 Saving Your Settings in the Internal Memory. . . . . . . . . . . . . . . . . 35 Recalling your Settings from Internal Memory. . . . . . . . . . . . . . . . 35 Saving Your Settings in the USB Memory (commercially
available). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Recalling your settings from an USB Memory. . . . . . . . . . . . . . . . . 37 Renaming a Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Exporting a Memory Set in the USB Memory . . . . . . . . . . . . . . . . . 37 Importing a Memory Set from the USB Memory. . . . . . . . . . . . . . 38
USB MIDI Keyboard Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Programmable Four MIDI zones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Configure the MIDI zones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Playing with Audio Backing Tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Connecting your Mobile Device. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Playing with X MURE Application. . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
MENU Options (Advanced Section). . . . . . . . . . . . . . . . . . . . . . . . . . . 41 General procedure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 SETTING Parameters Group . . . . . . 42 T2L EDITOR . . . . . . . . . . . . . . . . . . . . . 43 EFFECTS . . . . . . . . . . . . . . . . . . . . . . . . 43 CONTROL . . . . . . . . . . . . . . . . . . . . . . . . 43 TUNING . . . . . . . . . . . . . . . . . . . . . . . . . 44 MEMORY . . . . . . . . . . . . . . . . . . . . . . . .46 USB REMOVE . . . . . . . . . . . . . . . . . . . . 46 AUDIO INPUT . . . . . . . . . . . . . . . . . . . 46 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 GLOBAL . . . . . . . . . . . . . . . . . . . . . . . . . 48 SOUND LIBRARY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 FACTORY RESET . . . . . . . . . . . . . . . . . 48 VERSION INFO . . . . . . . . . . . . . . . . . . .48
Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Effects Types and Parameters List. . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 S1 Tone List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
7
3 Panel Description
3
4
5
7
6
8 9
10 11 12
13
16
14
15
1
Turns the power on or off (p. 17).
With the factory settings VIVO S1’s power will
2 VOLUME
Use this knob to set VIVO S1’s overall volume.
3 Display
This display shows information related to your operation.
4 Function buttons
These buttons are used to select one of three functions/options shows at the bottom of the display. 5 MEMORY/WRITE button
This button allows you shows the list of memories and then recall one of them. (See p. 35).
Pressing and holding this button to write a memory (See p. 35).
6 Arrow buttons
These buttons are used to navigate around the various menus, adjust values.
7 MENU/EXIT
This button allows you to open and close the menu page where you can view and select all available functions.
8 OCTAVE
This button calls up the octave function. You can adjust the octave for each part. See p. 30.
9 VOLUME
This button calls up the volume function. You can adjust the volume for each part. See p. 30.
10 (Rec)
This button is used to start or stop the recording of
automatically be switched off 120 minutes after you stop playing or operating the VIVO S1.
If VIVO S1’s power has been turned off automatically, you can use the [POWER] switch to turn the VIVO S1 back on. If you don’t want the power to turn off automatically, set the “AUTO OFF” parameter to “OFF” (p. 48).
NOTE
To avoid malfunctions, never disconnect the AC/DC adaptor while the instrument is turned on.
your song (See p. 34).
11 *-,
Press this button to start playing. Press it again to stop playing (See p. 32).
Press it together with the [SONG] button to listen the demo song.
8
12 SONG
This button allows you to switch in Song Mode (See p. 32).
Press it together with the *-, button to listen the demo song.
13L/K
This button calls up the transposition function (See p. 30). Its settings can be applied to the keyboard. If the button indicator doesn’t light the instrument use its normal pitch.
14
This button enable or disable the layer keyboard mode (See p. 22).
15
This button enable or disable the split function (See p. 22).
16
These buttons allow you to select tones by category.
Panel Description
1
2
VOLUME
9
Rear Side
Panel Description
17 18 19 20 21 22 23 24 25 26
17 Ground terminal
Depending on the circumstances of a particular setup, you could feel a tingling sensation at the point where you touch this device.
You can eliminate this sensation connecting the ground terminal with an external ground. For details see p. "Ground Terminal" (p. 17).
18 DC IN socket
Connect the supplied AC/DC adaptor here (p. 14). 19 AUDIO OUTPUT R, L/MONO sockets
This sockets allow you to connect an external amplified speakers.
20 DAMPER PEDAL (HOLD)
Use this pedal to sustain the sound (p.43).
NOTE
We suggest to connect at this socket a continuous pedal controller. In this way you can appreciate all the musical nuances of a continuos controller.
21 ASSIGN 1 PEDAL (FOOT)
Connecting an commercially available pedal to this socket allows you to control an assignable function by foot (p. 43).
You can connect at this socket only foot-switch (ON/OFF type).
22 ASSIGN 2 PEDAL (EXPRESSION)
Connecting an commercially available pedal to this socket allows you to control an assignable function by foot (p. 44).
This socket automatically recognize any expression pedal connected setting the Expression function, regardless of the current function assigned.
23 USB Computer Port
Use a USB cable to connect the VIVO S1 to your computer via this connector (p. 16).
24 USB Memory Port (or as MIDI interface)
Connect an commercially available USB Memory here (p. 16) or a commercially available USB MIDI interface to connect your VIVO S1 to an external keyboard or other MIDI device (p. 17).
NOTE
* Carefully insert the USB Memory making sure that the connector on the device is appropriate and that it is connected in the proper direction.
* Dexibell does not recommend using USB hubs, irrespective of whether they are active or passive. Please connect only one USB Memory to this port.
25 AUDIO IN
This mini jack allow you to connect the audio outputs of an external signal source (CD/mp3 player, etc.).
26 PHONES output
This is where you can connect one or two pairs of optional headphones.
Battery Compartment
Bottom side
27 27 Battery compartment
This is where you install 8 commercially available
rechargeable AA-type Ni-MH batteries (see p. 14).
10
4 Connections Quick Guide
Peripheral Devices
R L
Amplified Speakers
NOTE
Before to connect external Amplified Speakers, move the [VOLUME] slider toward the lower position to minimize the volume.
USB to Computer (MIDI)
USB Memory Port
Audio IN
DX CP1/SP1 (damper)Expression Pedal DX CP1/SP1 (switch)
2 x DX-HF7 (headphones)
NOTE
Before to connect any
external device to Audio IN socket, rotate the
[VOLUME] knob toward the lower position to minimize the volume.
11
5 Quick Guide
Sound Effects (FX-A, FX-B)
Press this Function buttons to open and close
the Effect page where you can view or change
the type of effect or modify parameters.
Reverberation
You can modify the reverberation to the sound
to your liking.
Press the Function button that shows "REVERB"
at the bottom of the display.
Use the [▲] [▼] and [◄] [►] buttons to select
a pleasant reverberation.
Function Buttons
Press these buttons to select functions/options
shows at the bottom of the display.
Grand Piano Mode
When you want to reset various settings and play Grand Piano:
From the Main page, simultaneously press the first and last Function button.
Menu/Exit Button
Press this button to open and close the menu page where you can view and select all available functions.
Favorite Settings
HOW TO MEMORIZE YOUR FAVORITE SETTING
The VIVO S1 allows you to memorize your favorite settings for easy recall whenever they’re needed. Up to 80 complete setups can be saved.
Press and hold the [MEMORY/WRITE] button to call up the memories page. Use the [▲] [▼] buttons to select one of the memory location. Press the function button that shows "SAVE" at the bottom of the display Use the [▲] [▼] and [◄] [►] buttons to enter the desired name.
To confirm press the function button that shows "OK" at the bottom of the display
HOW TO RECALL YOUR FAVORITE SETTING
Press the [MEMORY] button to call up the memories page.
Use the [▲] [▼] buttons to select one of the memory location. Press the "RECALL" function button under the display to select the memory.
p. 35
MEMO
Note that it is also possible to memorize and recall directly on an USB Memory (commercial available).
Adjust the Volume for Each Part
Press this button to open the VOLUME page. Use the [▲] [▼] buttons to select the part. Use the [◄] [►] buttons to adjust the value.
Changing Octave Value for Each Part
Press this button to open the OCTAVE page. Use the [▲] [▼] buttons to select the part. Use the [◄] [►] buttons to adjust the value.
12
VOLUME
Recording a Song
+
Press the [! ] button to start recording.
Play your song.
Press the [! ] button again to stop recording.
Your digital piano allows you to record your
performance and save it to an USB storage
device.
p. 34
Keyboard Mode Selection
At power-on, you play a piano sound over the entire keyboard
(The [ ] and [ ] indicators are off).
Sound A
Quick Guide
Turning the Power On
Press the VIVO S1’s [ " ] switch. p. 17
Adjusting Volume
Adjust the volume rotating the knob.
Selecting and Playing a Song
Press the [SONG] button to display the Song main page.
Press the "SONG LIST" Function button.
Use the [▲] [▼] buttons to select a song. Press the [ *-, ] button to start playing.
p. 32
Listening the Demo Song
Simultaneously press the [ *-, ] and [SONG] buttons.
Sound A
Sound A + Sound B
Sound A
Press the [ ] button to play two different sounds over the entire keyboard.
Sound A + Sound B
Selecting a Tone
Press one of the family tone buttons.
Press [▲] [▼] to select another desired tone in the list. Press [◄] [►] to select another family tone.
HOW TO SET A FAVORITE TONE
p. 21
Sound C
Sound A
Press and hold the family button of the selected tone. p. 21
Sound A + Sound B
Sound C
Sound A
Press the [ ] button if you want to play different sounds
Split Point
with your left and right hands.
Sound C
Sound A
Split Point
Sound A
Transposing the Keyboard
Sound A
Split Point
Split Point
Sound A
Sound C Sound A + Sound B Split Point
p. 21
Press the [L/K] button to calls up the page where you can change the transposition value.
Use the [◄] [►] buttons to change the value.
Sound C Sound A + Sound B
Split Point
Split Point
Sound C Sound A + Sound B
Split Point
Split Point
p. 30
13
6 Before You Start to Play
Connecting the AC Adaptor
The VIVO S1 is an electronic instrument that requires some form of electrical power. You can power your VIVO S1 using the supplied adaptor or 8 commercially available rechargeable batteries (AAtype Ni-MH).
1. Rotate the [VOLUME] knob toward the left position to minimize the volume.
VOLUME
2. Connect the AC adaptor to VIVO S1’s DC IN jack positioned to the rear bottom panel.
AC Adaptor
To an AC outlet
DC IN
NOTE
Be sure to use only the AC adaptor (DEXIBELL DYS624-120200W, supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.
NOTE
If you won’t be using the VIVO S1 for an extended period of time, disconnect the power cord from the electrical outlet.
NOTE
To avoid malfunctions, never disconnect the AC/DC adaptor while the instrument is turned on.
3. Plug the AC Adaptor into a power outlet.
Installing and Removing Batteries
The VIVO S1 has a compartment into which you can install 8 commercially available AA-type Ni-MH batteries (which are rechargeable). You can therefore play your instrument without connecting the supplied adaptor.
1. Switch off the VIVO S1.
2. The battery compartment is positioned on side bottom of the instrument. Turn upside down the instrument placing it on a soft cloth to avoid scratching.
Bottom side
Battery compartment
Screws
3. Use a coin to unscrew the screws holding the cover of battery compartment and lifting the cover.
4. Insert 8 rechargeable AA-type Ni-MH batteries into the compartment, taking care to orient them in accordance with the “+” and “–” indications.
NOTE
Use rechargeable AA-type Ni-MH batteries only. Do not use carbon, alkaline or lithium batteries.
5. Close the battery compartment and use a coin to screw the screws that hold the cover.
NOTE
Be aware that the batteries cannot be recharged simply by leaving them in the VIVO S1’s compartment. You will need an external charging unit.
NOTE
When replacing batteries, be sure to insert them correctly (ensure correct polarity).
NOTE
Remove the batteries whenever the VIVO S1 is to remain unused for an extended period of time.
Battery charge indication
NOTE
If, while using batteries, the “System will turn off in a few minutes” message appears in the display, you need to replace the batteries right away (or use the supplied adaptor).
Icon Explanation
It means that the charge is still at the maximum level.
It refers to a medium level.
Low charge level.
Warning! Replace the batteries at your earliest convenience.
NOTE
The battery charge indication is only an approximation.
14
Battery duration
New or fully charged batteries should last about 4 hours (for 2450mAh Ni MH batteries) during continuous operation.
NOTE
Actual battery life varies according to usage conditions, the quality of the batteries and the number of charging cycles.
NOTE
Certain batteries can be recharged several times before they need to be replaced with new ones. Note that it is normal for the batteries to last increasingly shorter as time goes by. At the end of their life cycle, they may only last one hour, for example. But that is a gradual process.
Connecting the Pedals
REAR SIDE
DX CP1/SP1 (damper)
Expression Pedal
DX CP1/SP1 (switch)
1. Connect to the DAMPER (HOLD) socket a sustain pedal.
This is the most commonly used pedal in a digital piano. When pressed, all notes played will continue to sound until the vibration naturally ceases.
A MOST IMPORTANT THING TO KNOW
To have a complete simulation of damped strings of an acoustic
piano appreciating all the musical nuances, we suggest to
connect, at the DAMPER (HOLD) socket, a continuous pedal
controller instead of an on/off pedal.
NOTE
The DAMPER (HOLD) socket accepts both types of pedals, continuous or foot-switch (ON/OFF type).
2. Connect to the PEDAL ASSIGN 1 socket a foot-switch. This pedal is useful to control many functions by foot. You can
Connecting the Pedals
assign one of the available functions. See "PEDAL ASSIGN 1" (p. 43).
NOTE
The PEDAL ASSIGN 1 socket accepts only foot-switch (ON/OFF type).
3. Connect to the PEDAL ASSIGN 2 socket an Expression pedal.
This pedal is useful to control different aspects of the sound, commonly volume. It's used for organs, strings sounds, etc.
Automatic recognition of a EXPRESSION pedal
The PEDAL ASSIGN 2 socket automatically recognize any
expression pedal connected setting the Expression function,
regardless of the current function assigned.
You can assign one of the available functions. See "PEDAL ASSIGN 2" (p. 44).
NOTE
The PEDAL ASSIGN 2 socket accepts both types of pedals, continuous or foot-switch (ON/OFF type). If you connect a continuous pedal, it's automatically recognized as Expression pedal.
Connecting External Audio Amplifier
You can connect the OUTPUT R L/MONO jacks to an external amplifier, mixing consoles, etc.
NOTE
If you want to use only one channel on your external amplifier, connect the L/MONO socket to its input. For optimum sound quality, we recommend working in stereo, though.
1. Rotate the [VOLUME] the knob toward the left position to minimize the volume.
2. Connect the VIVO S1’s OUTPUT jacks to the inputs of your external audio device.
REAR SIDE
15
Before You Start to Play
Listening Through Headphones
MEMO
You can use headphones to enjoy the VIVO S1 without disturbing those around you, such as at night.
1. Here you can connect stereo headphones. VIVO S1 has two headphones jacks . Two people can use headphones simultaneously.
DX-HF7 (headphones)
AUDIO IN PHONES
2. Rotate the VIVO S1’s [VOLUME] knob to adjust the volume of the headphone.
Cautions when using headphones
• To prevent damage to the cord’s internal conductors, avoid rough handling. When using headphones, mainly try to handle either the plug or the headset.
• Your headphones may be damaged if the volume of a device is already turned up when you plug them in. Minimize the volume before you plug in the headphones.
• Excessive input will not only damage your hearing, but may also strain the headphones. Please enjoy music at a reasonable volume.
Connecting Digital Player devices
You can connect the INPUT jack to an audio playback device.
The audio of playback will be reproduced with the VIVO S1's OUTPUT sockets .
1. Rotate the [VOLUME] the knob toward the left position to minimize the volume.
2. Connect the VIVO S1’s AUDIO IN jack to the output of an external signal source.
AUDIO IN
You can adjust the volume of device connected to the VIVO S1’s INPUT jack. See "AUDIO INPUT" (p. 46).
Connecting the VIVO S1 to Your Computer
• If you use a USB cable (commercially available) to connect the COMPUTER port located on the VIVO S1’s rear panel to the USB port of your computer, you’ll be able to transfer MIDI data between the VIVO S1 and your sequencer software.
NOTE
VIVO S1 does not support GM/GS standard.
What do you need to connect the VIVO S1 with your computer?
• USB cable (type A–male - type B–male: commercially available)
1. Use a standard USB cable (A→B-type connectors, commercially available) to connect the VIVO S1 to your computer as shown below.
NOTE
• To avoid the risk of malfunction and/or damage to external speakers, always turn the volume all the way down and switch off the power on all devices before you make any connections.
• Only MIDI data can be transmitted and received via USB. Audio data cannot be transmitted or received.
• Switch on the power to the VIVO S1 before you start up the MIDI application on your computer. Never turn the VIVO S1’s power on/ off while your MIDI application is running.
Connecting an USB Memory
(commercially available)
1. Plug an USB Memory to the MEMORY port on the VIVO S1’s rear panel.
16
NOTE
Connecting an USB MIDI Interface (commercially available)
3. Connect by another MIDI cable the MIDI OUT of the MIDI interface to the MIDI IN connector of the keyboard or other device.
MIDI IN
MIDI
Carefully insert the USB Memory making sure that the connector on the device is appropriate and that it is connected in the proper direction.
Safely Remove the USB Memory
NOTE
MIDI OUT
Ground Terminal
INTERFACE MIDI cable
You should always safely eject the USB Memory before
physically unplugging it from USB socket. Before to unplug the USB Memory use the "USB REMOVE" function.
1. Press the "MENU" button.
2. Use the [▲] [▼] buttons to scroll the list and select the "USB REMOVE" function.
3. Press the [►] buttons to access the function.
The display shows:
4. Press the "YES" Function button to safely remove the USB Memory.
Now you can unplug the USB Memory safely.
Connecting an USB MIDI Interface (commercially available)
It may be useful to connect devices such as keyboards that are equipped with a MIDI connector to transmit or recevive messages. MIDI is a universal standard, which means that musical data can be sent to and received by instruments of different types and manufacturers.
To do this, you can use of commercially available USB MIDI interface connected to the USB Memory port of your VIVO S1.
1. Plug a commercially available USB MIDI interface to the MEMORY port on the VIVO S1’s rear panel.
2. Connect by a MIDI cable the MIDI IN of MIDI interface to the MIDI OUT connector of the keyboard or other device.
Depending on the circumstances of a particular setup, you could feel a tingling sensation at the point where touch this device.
You can eliminate this sensation connecting the ground terminal with an external ground.
VIVO S1 REAR SIDE
1. Use the screw-type ground terminal to connect to ground or to connect to the chassis of the mixer, preamp, or other device in your system.
Turning the Power On/Off
Once everything is properly connected, be sure to follow the procedure below to turn on their power.
1. Rotate the [VOLUME] knob toward the left position to minimize the volume.
NOTE
Before turning the VIVO S1 on/off, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the VIVO S1 on/off.
However, this is normal and does not indicate a malfunction. 2. Press the VIVO S1’s [ " ] button located on the right panel to switch it on.
17
Before You Start to Play
and the unit will turn off after few seconds.
If you do not want power off press the "NO" Function button.
NOTE
If you need to turn off the power completely, first turn off the
[" ] button, then unplug the power cord from the power outlet.
Refer to "Connecting the AC Adaptor" (p. 14).
If you do not operate the unit for a certain period
The power will turn on, a progress bar appear in the VIVO S1’s display.
After a brief interval, the main page will appear. and VIVO S1 will be
of time while the power is on, this unit turns off automatically.
If you don’t want the power to turn off automatically, turn the “AUTO OFF” setting off !
With the factory settings, the unit’s power will automati cally be switched off 120 minutes after you stop playing or operating the unit.
Shortly before the VIVO S1 shuts down automatically, the
ready to produce sound.
VOLUME
display starts counting down the seconds. If you want to keep using the VIVO S1 at this stage, press any button.
If you don’t want the power to turn off automatically, change the “AUTO OFF” setting to “OFF” as described on p. 48.
3. Use the [VOLUME] knob to adjust the volume.
NOTE
This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
Turning the Power Off
1. Rotate the [VOLUME] knob toward the left position to minimize the volume.
NOTE
To avoid malfunctions, never disconnect the AC/DC adaptor while the instrument is turned on.
2. Press the VIVO S1’s [ " ] switch.
A power off confirmation message appears:
3. Press the "YES" Function button to confirm. The display shows the following message:
Demo of the VIVO S1
Your VIVO S1 contains a demo that introduces all the best of its tones. 1. Simultaneously press the [ *-, ] and [SONG] buttons.
Playback starts automatically with the demo song.
2. Press the [MENU/EXIT] button to leave the demo function. NOTE
All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
18
7 Basic Operation
About the Display and Cursor Operation
This section introduces the information that appear on the main page. Moreover this section illustrates how to navigate the menu. Main Page
The VIVO S1 main page contains many useful information.
Main part tone
Icons field see the table below
The underline under the tone
field refers to the part whose tone
assignment can be changed. Tone
selection always applies to the part
whose field is underlined.
Left part tone
Function buttons
Use these function buttons to select one of three functions/
options shows at the bottom of the display.
19
Moving the cursor and setting parameter values
1. Press the [MENU/EXIT] button to access to the available function groups.
Basic Operation
Assigning the Name You Specify
In many cases you'll have to assign a name to a file. In the following example, we will learn how to give a Memory name.
After the selection of saving a Memory, the display looks as follows:
A Memory name is suggested by the VIVO S1.
2. Use the [▲] [▼] buttons to select the desired function group.
1. Use the [▲][▼] buttons to select a different character. 2. Use the [◄] [►] buttons to select the next character position you want to change, then use the [▲][▼] buttons again.
3. You can press the [A/a/#] Function button to switch between upper- and lower-case characters as well as numbers.
4. To delete the selected character, simultaneously press the
central and right Function button.
3. Press the [►] button to enter in the selected function
group.
4. Use the [▲] [▼] buttons to scroll the list of parameters. The selected parameter field is underlined.
5. Use the [◄] [►] buttons to set the desired value. 6. Press the [MENU/EXIT] button to return to the main page.
20
5. To insert a character, simultaneously At the same press the left and central Function button.
6. Repeat steps (2) and (3) to complete the name.
8
Selecting Tones
VIVO S1 has a wide selection of high quality tones arranged in six categories. In particular, thanks to new sound engine, the Piano tones are faithfully reproduced with all the subtle nuances of a real acoustic piano.
The VIVO S1 allows you to assign any of the available tones to any of the three real-time parts. Tone selection always applies to the part (Main, Coupled or Lower) whose field is currently underlined in the main page.
Grand Piano Mode
NOTE
At power-on, the instrument is automatically selected in Grand Piano Mode.
1. From the Main page, simultaneously press the first and last Function button.
The "Grand Piano" tone is called and all various parameters are modified to play the best piano sound.
2. Play the keyboard to enjoy the piano sound. All keyboard plays piano sound.
Main Part
How to Select Tones
1. Press the desiderate Tone button to select the sound category that you want to play.
In the example was pressed [E. PIANO] button.
2. While the tone window is active, use the [▲] [▼] buttons to select a tone in the same category.
If during normal operation the window closes automatically, press the Tone button again.
See "S1 Tone List" (p. 51) for the list of available tones.
3. Play the keyboard.
You’ll hear the sound of the selected instrument.
MEMO
The last sound you select in each category is memorized temporarily and will be recalled every time you press the corresponding Tone button.
4. While the tone window is active, press the [◄] [►] buttons to select the previous or next tone category or press another desiderate tone buttons.
After few seconds of inactivity of the change tone operation, the Main page is shown.
TIPS
A quick way to change a tone from the Main page: use the [◄] [►] buttons to select a next or previous tone in the same category.
Most Frequently Used Tones (Favorite Tone)
The “Favorite Tone” function lets you an easy recall of most frequently used sounds. You can memorize your Favorite Tone for each of six categories and recall it simply pressing the tone button. It will be helpful in a live performance situation.
1. Select a tone you prefer. See "Selecting Tones" (p. 21). 2. Press and hold the Tone button that contains the selected tone to memorize it.
The last sound you selected for that category is recalled.
The button indicator lights and a temporary window shows the list
of tones where the recalled sound is underlined:
The display shows a confirmation message.
The position of the sound you selected is memorized and will be
21
recalled every time you press the corresponding Tone button. The instrument will remember your choice at the next power on.
Playing Two Sounds Over the Entire keyboard (Layer)
In the previous paragraph "How to Select Tones", you learned how to select a Tone. Below you'll learn how to add a second sound over the entire keyboard.
1. Press the [ ] button to add a second tone (Coupled Part) over the entire keyboard.
Main Part
+
Coupled Part
The Coupled part [C] is automatically selected.
If the main page is displayed shows:
The Coupled part [C] field in the main page is underlined to inform you that the tone selection is applied on this part .
NOTE
For Tone selection, it would be a good idea to check on the main page which part is currently selected to ensure that you don’t select a Tone for the wrong part.
2. Play the keyboard.
You’ll hear the tones of Main part [M] and Coupled part [C] playing together.
3. To change a tone of the Coupled part, see "How to Select Tones" (p. 21).
4. To select the Main part, from the main page, use the [▲] [▼] buttons to select the it.
5. To change a tone of the Main part, see "How to Select Tones" (p. 21).
NOTE
You can set the keyboard range for the Coupled part (Note Low, Note High). See "COUPLED SETTING" (p. 42).
Splitting the Keyboard Range and Playing Two Different Tones
Split mode enables you to play two different voices on the keyboard, one with the left hand and another with the right hand.
Selecting Tones
1. If you want to use your left and right hands to play different Tones , press the [ ] button.
The Keyboard is divided into two sections. The region of the keyboard to the left of the split point becomes the Lower part, while the region of the keyboard to the right of the split point becomes the Main part.
Lower Part Main Part
If the main page is displayed shows:
The Lower part [L] field in the main page is underlined to inform you that the tone selection is applied on this part.
2. Play the keyboard.
You’ll hear the tones of Main part [M] on the right side of the keyboard and Lower part [L] on left .
MEMO
To change the split point see "How to change the Split Point" (p. 23). 3. To change a tone of the Left part, see "How to Select Tones" (p. 21).
4. To select the Main part, from the main page, use the [▲] [▼] buttons to select the it.
5. To change a tone of the Main part, see "How to Select Tones" (p. 21).
Playing the Lower, Main and Coupled Part Splitting the Keyboard Range
This mode split the keyboard and allows you to play three different voices.
1. If you want to use your left and right hands to play
three Tones , press the [ ] and [ ] buttons contemporary.
22
Tone MIDI Information
The Keyboard is divided into two sections. The region of the
button.
keyboard to the left of the split point becomes the Lower part while the region of the keyboard to the right of the split point becomes the Main and Coupled part.
Lower Part Main + Coupled Part
If the main page is displayed shows:
The Main part [M] field in the main page is underlined to inform you that the tone selection is applied on this part .
2. Play the keyboard.
MEMO
To change the split point see "How to change the Split Point" (p. 23).
3. To change a tone, select the part using the [▲] [▼] button from the Main page and change the tone. See "How to Select Tones" (p. 21).
How to change the Split Point
1. Press and hold the [ ] button until the display shown the following page.
The note played on the Lower part don't produce sound. The name of Function button change in "MUTE OFF".
2. Press again the "MUTE OFF" Function to exit from mute function.
Tone MIDI Information
Tones can also be selected via USB MIDI. To this effect, they use an “internal” address, which is not usually displayed. For MIDI applications involving sequencers or external controllers, knowing the “official” address may come in handy. The VIVO S1 has an handy system that provides this information instantly—there is thus no need to look up the MIDI address in the tones list at the end of this manual.
1. Select a tone. See "How to Select Tones" (p. 21). The following temporary page is showed:
In the example above we selected "VIVO Live" tone.
2. Press one of the Function buttons located below the
display
2. Use the [◄] [►] buttons to set the new split point or press
the desiderate key on the keyboard.
Parameter Setting
Split Point F1 ~ C#7
3. Press the "⮠ " function button to return to the previous page or press [MENU/EXIT] button to go directly to the main page.
Mute the Lower Part
Use this function to mute the Lower part. This function can be useful when you want to play only an external device connected via MIDI.
1. From the SPLIT page, press the "MUTE ON" Function
The tone MIDI information are temporary showed:
23
9 Additional Sound
Sound Library
VIVO S1 give you the possibility to install new sounds from:
⑨ DEXIBELL Official Sounds (.DXS extension)
These sounds will be available and downloadable from the following website:
http://www.dexibell.com/
Stay tuned for new sounds and updates by visiting our website regularly! ⑨ third-party sounds (.SF2 extension )
You can easy found in the web many sounds library with .SF2 extension. VIVO S1 is compatible with these types of sounds.
Importing USER Sound Library
You can import sounds library in the internal memory of VIVO S1 and use them in your performances. To import you need an USB Memory and your Personal computer.
Loading a sounds library in the USB Memory 1. Using your computer, download the new sound library from the DEXIBELL web site (.DXS) or from any other web site (.SF2).
2. Create a folder “SOUND” in the root of the USB Memory. 3. Copy the sound library (.DXS/.SF2) into the USB Memory’s “/SOUND” folder.
4. Insert the USB Memory into the VIVO S1 USB port. See "Connecting an USB Memory (commercially available)" (p. 16).
Listening to the sound library before to import it 1. Press the [MENU/EXIT] button and use the [▼[ ]▲] buttons to select the “SOUND LIBRARY” function group.
2. Press the [►] button to display the sound libraries in VIVO S1 internal memory.
MEMO
VIVO S1 shows the sounds contained in the USB Memory’s “\ SOUND” folder .
4. Use the [▼[]▲] buttons to select the sound library you prefer. 5. To open the sound library, press the “OPEN” function button or the [►] button.
The sound/sounds contained in the library are displayed. 6. Use the [▼[ ]▲] buttons to select the sound you want to listen.
7. Play the keyboard.
You’ll hear the sound selected in the library.
Importing the sound library
If the sound is to your liking, you can import the library into the internal memory.
8. Press the “IMPORT ALL” Function button to import the sound library.
A confirmation message informs you that the sound library has been imported.
How to Select USER Sound
1. Press the “USER” button.
The above example shows that no library was loaded.
NOTE
If the sound library exceeds the size of the internal memory, the “Space not available!” message is showed.
3. Press the “USB” function button to list the sound libraries in the USB Memroy.
The last sound you selected s recalled.
The button indicator lights and a temporary window shows the list of User tones where the recalled sound is underlined:
24
Deleting USER Sound Library
2. While the tone window is active, use the [▲] [▼] buttons
to select a User sound.
If during normal operation the window closes automatically, press
the Tone button again.
TIPS
A quick way to change a tone from the Main page: use the [◄[ ]►]
buttons to select a next or previous sound in the same category.
Deleting USER Sound Library
1. Press the [MENU/EXIT] button and use the [▼[ ]▲]
buttons to scroll the cursor and select the “SOUND
LIBRARY” function group.
2. Press the [►] button to display the sound libraries in VIVO S1
internal memory.
3. Use the [▼[ ]▲] buttons to select the sound library that
you want to delete.
4. Use the [DELETE] Function button to delete the sound
library selected.
A confirmation message informs you that the sound library has
been deleted.
25
10 Sound Effects
Going Around Sound Effects
VIVO S1 is quite simply a superlative instrument with the most advanced and best sound generation technology Dexibell has to offer.
When you recall a Tone the instrument automatically add the appropriate effects for that sound.
Anyway, VIVO S1 give you the possibility to change type of effect or modify some parameter of it.
VIVO S1 manage two units of effectors (FX-A and FX-B) for each keyboard part (Main, Lower, Coupled).
L
L
FX-A FX-B
R
R
REV
1. While the main page is showed, press the "FX-A" or "FX-B" function button.
MEMO
You can also select this function pressing [MENU] button 🠆EFFECTS.
The "FX-A" page of the "MAIN" part is showed:
MEMO
You can select another active part using the [▲] [▼] buttons from the main page.
2. Use the [◄] [►] buttons to choose the Type of effect.
Press the "ON/OFF" Function button if you want to exclude or not the FX processor.
For the list of effects see "Effects Types and Parameters List" (p. 49). 3. Use the [▲] [▼] buttons to select the parameter relative to the chosen effect.
4. Use the [◄] [►] buttons to adjust the parameter value.
For details about the parameters for each effects, see p. "Effects Types and Parameters List" (p. 49).
5. To edit the second FX processor, press the "FX-B" Function button. Adding Reverb to the Sound
The reverb enables you to select various digital reverb effects that would add extra depth and expression to the sound to create a realistic acoustic ambience.
1. While the main page is showed, press the left Function button to access the Reverb parameters.
The display shows the Reverb page:
MEMO
You can also select this function pressing [MENU] button 🠆EFFECTS 🠆REVERB.
2. Use the [▲] [▼] buttons to specify the part you wish to change the Reverb level.
3. Use the [◄] [►] buttons to adjust the Reverb level. Changing the Reverb Type
This parameter allows you to specify what kind of reverb effect you need.
1. While the Reverb page is displayed, press the "TYPE" Function button to access the Reverb Type page.
2. Use the [◄] [►] buttons to choose the Macro Type you prefer.
The available Macro reverb types are:
Setting
Hall, Dark Hall, Mid Hall, Concert Hall, Large Hall, Chathedral, Arena, Cave, Chamber, Room, Venue, Ambience, Wooden Room, Brick Room, Studio Booth, Small Room, Living Room, Office, Warehouse, Music Club, Plate, Small Spring, Bright Spring, AmpSpring.
26
11 Personalizing Your Sounds
T2L-Modelling
The revolutionary technology found on all
models of DEXIBELL digital Pianos.
T2L-Modelling is the combination of
innovative technologies developed to
achieve maximum timbre accuracy and
precise sound responsiveness to the multiple
articulations of a pianist.
T2L modelling has many algorithms that simulate all the characteristics of an acoustic piano. It take care of many aspect as:
No Damper (“No Damper“ on high notes)
The last 18 higher notes, like in the acoustic instrument, do not have the presence of the dampers and then are free to vibrate even when keys are released.
The duration of these notes, playing in staccato mode, is much longer than the previous notes that instead have the presence of the damper.
Notes without
Dumpers
FP-Simulation (“Forte Pedal” multi actions simulation)
The “Forte” Pedal (Sustain), performs several actions that are simulated through this function.
A) When the “Forte” pedal is pressed, a sound is generated to simulate the damper friction noises of felts when releasing from the strings (Damper Friction Noise).
B) Pressing the “Forte” pedal, the active notes will be enriched with resonances produced by all strings free to vibrate, thanks to the raised dampers (Strings Resonance). The result of the Strings Resonance makes the sound of a sustained note by the use of the “Forte” pedal substantially different from the sound of a just held note.
C) When the “Forte” pedal is released, a noise is simulated like the mechanical noise in the acoustic instrument (Sustain Pedal Mechanical Noise).
(A) & (B) “Forte” pedal is
pressed, felt dampers are
raised.
(C) “Forte” pedal is released,
felt dampers are resting on
strings.
SP-Simulation (“Soft Pedal” Simulation)
The “Soft” Pedal, acts a change of volume and timbre color of the sound, simulating the "soft" function on the acoustic piano.
Soft Pedal
T2L Sound Parameters
VIVO S1 allows you to personalize the tones of your Piano keyboard by adjusting various factors that affect the sound.
Each Tone has available a number of parameters that allow you to personalize the sound.. Below, you'll find an example of some parameters characterizing the piano sound.
Hammer-Noises (Key On impulsive Noises)
Attack of notes contains an impulsive portion of sound produced by the hit of the Hammer to the strings, amplified and sustained by the resonance of the piano body. A function is available to reduce/ increment this element of the sounds.
Parameter Setting
Hammer Noise -64 ~ 0 ~ +63
Key Off Noise (Key Off Mechanical Noises)
The release of keys causes mechanical noises proportional to the speed of the release itself. This behavior of the acoustic instrument is reproduced by this function.
Parameter Setting
Key Off Noise -64 ~ 0 ~ +63
Damper Noise
This is the typical noise of an acoustic piano when the pedal sustain is pressed (lift all dampers) or released (lower all dampers).
Dampers
Parameter Setting
Damper Noise -64 ~ 0 ~ +63
String Reso (Sympathetic Harmonic Resonances)
As in the acoustic Piano, while holding down some keys and playing other notes in staccato mode, a multitude of additional harmonics can be listened, thanks to "sympathetic resonance" generated by the free to vibrate strings (due to raised dumpers) of the held notes.
27
Parameter Setting
Personalizing Your Sounds
Raised dampers of held note
Parameter Setting
String Reso -64 ~ 0 ~ +63
Damper Reso
It's the typical noise generated by the free to vibrate strings (all damper raised) when the dumper pedal is pressed.
Parameter Setting
Damper Reso -64 ~ 0 ~ +63
E
D
U
T
I
L
P
Cabinet Reso (Wurly, Ac. Guitar, Harp)
M
A
Thanks to this parameter you can increase or decrease the
cabinet resonance.
Parameter Setting
Cabinet Reso -64 ~ 0 ~ +63
Bell (for Electric Piano)
The "bell sound" is characteristic of some electric pianos that became particularly popular throughout the 1970s.
You can adjust the quantity of this typical sound.
Off Noise -64 ~ 0 ~ +63
Percussion (Vintage Organ)
Not to be confused with the key click of pop organ. The percussion was introduced with the advent of electronic organs to emulate the percussive sounds of the harp, xylophone and marimba.
The percussion is a typical register in the upper manual. This parameter adjust the quantity of percussive sound.
Parameter Setting
Percussion -64 ~ 0 ~ +63
Attack, Hold, Decay, Sustain and Release
These parameters characterize the envelope of the sound. When a pipe organ's key is pressed, for example, it plays a note at constant volume; the sound dies quickly when the key is released. By contrast, the sound of a guitar is loudest immediately after a string is plucked, and quickly fades. Try to change the envelop of a sound by these parameters.
Attack Hold Decay Sustain Release
Key Released
Key Pressed t
Parameter Setting
Attack
Hold
Parameter Setting
Bell -64 ~ 0 ~ +63 Click (for Vintage Organ)
Decay
Sustain Release
Ride
-64 ~ 0 ~ +63
The key click is typical of vintage organs. It's a electrical pop which was the result of the keys making contact. It was considered a defect, there were all kinds of efforts to reduce it, but it never could be eliminated. Meanwhile it has become a characteristic "click" for rock and modern musicians.
You can adjust quantity of click sound when press and release a key.
Parameter Setting
Click -64 ~ 0 ~ +63
Growl (for Eletric Piano)
This is a typical distortion of the sound during the phase attack that give a "growling" effect. Thank to this parameter you can increase or decrease the effect.
Parameter Setting
Growl -64 ~ 0 ~ +63
Off Noise (for Clavinet, Harpsy, Church Organ, E. Piano, Fingered Bass)
You can adjust the quantity of the noise effect that some instrument produce when the key is released.
This parameter increase or decrease the volume of Ride Cymbals sound contained in the "Ac. Bass&Ride" tone.
Parameter Setting
Ride -64 ~ 0 ~ +63
Making Slight Additions or Sound Alterations
Although Dexibell sound are developed to achieve the maximum sound accuracy , you can necessity to modify them at your taste them or create new sonority.
1. Select the sound that you want personalize. 2. Press the [MENU/EXIT] button and use the [▲] [▼] buttons to select the “T2L EDITOR” function group.
28
3. Press the button [►] to access the “T2L EDITOR” page. The following page appears:
4. Now select in which part of the keyboard you want to modify the sound selected in the step 1.
The display shows the Editor sound page that contains all possible parameters for the tone you selected:
In the example above the VIVO Grand piano was selected. 5. Use the [▲] [▼] buttons to select the parameter you wish to modify.
6. Use the [◄] [►] buttons to adjust the value. 7. To modify a tone in the LOWER or COUPLED part press the relative Function button.
Saving your changing
All you need to do is to save your setting in a memory. See "Working with the Memories" (p. 35).
Making Slight Additions or Sound Alterations
29
12 Other Functions
Transposing the pitch of the keyboard
The Transpose setting allows the pitch of your digital piano keyboard to be raised or lowered in semi-tone steps.
This is particularly useful when accompanying instruments tuned for different keys, or when a song learned in one key must be played in another key or when a singer sing in a key different than the original music.
1. Press the [L/K] button.
The display shown the following page.
2. Use the [◄] [►] buttons to adjust the transposition value.
“Transpose” setting
-12 ~ 0 ~ +12 (semitone units)
If you set a value different than 0, the [L/K] button indicator lights and the keyboard is transposed.
MEMO
You can also select this parameter pressing [MENU] button SETTING🠆TRANSPOSE.
Shifting the Tuning of a Keyboard Part in Octave Steps
The Octave function is an useful parameter that allows you to change the pitch of the selected part in octave steps (12 semitones at a time).
1. Press the "OCTAVE" button to access to its page.
Adjusting the Volume for Each Part
You can adjust the VIVO S1’s overall volume using the "VOLUME" knob. If you need to adjust the volume of a single part, please follow the steps below:
1. Press the "VOLUME" button.
2. Use the [▲] [▼] buttons to select the keyboard part you want adjust.
3. Use the [◄] [►] buttons to set the desiderate volume for that part.
Adjusting the Keyboard Response (Key Touch)
If the keyboard response don't meet your taste, you can adjust it. You can choose until to four dynamic response.
1. Press [MENU/EXIT] button and select SETTING🠆KEYBOARD TOUCH function using the [▲], [▼] and [►] buttons. See "Moving the cursor and setting parameter values" (p. 20).
The following page is shown.
2. Use the [◄] [►] buttons to choose your desiderate dynamic response.
The following settings are available:
SettingExplanation
“Heavy” range: Select this setting for
maximum expressiveness. Even small
variations of the force with which you
strike a key produce audible changes.
The trade-off is, however, that you have
to strike the keys forcefully to reach the
maximum volume.
“Normal”: Medium velocity sensitivity.
The keyboard responds to velocity
Keyboard
Touch
2. Use the [▲] [▼] buttons to select the keybaord part.
3. Use the [◄] [►] buttons to set the desiderate octave for
that part.
changes, but the maximum volume can be obtained more easily than with “Hard”.
“LIght” range: Select this settings if you are used to playing on an electronic organ or if you do not want velocity changes to bring about major volume changes.
“Fixed”: Select this setting if all notes you play on the keyboard should have the same velocity value. When you set this parameter, the “Fixed value” field can be edited.
*Fixed Value Allows you to set the value when “Curve” is set to “Fixed”.
30
[*] This parameter can only be edited if the “Keyboard Touch”parameter is set to “Fixed”.
Adjusting the AUDIO IN Input Level
The input level of the audio source you connect can be set with the “AUDIO INPUT Level” parameter.
1. Press [MENU/EXIT] button and select SETTING🠆AUDIO INPUT function using the [▲], [▼] and [►] buttons. See "Moving the cursor and setting parameter values" (p. 20). The following page is shown.
2. Use the [◄] [►] buttons to adjust your desiderate the AUDIO IN level.
Master Equalizer
The equalizer give you the possibility to boosting or reducing the low-frequency or high-frequency range of the sound. Adjust the Master EQ parameters to reach the best possible sound when listening through different reproduction systems, headphones, or an external speaker system.
1. Press [MENU/EXIT] button and select EFFECTS🠆MASTER EQ
1. Use the [▲], [▼] buttons to select the parameter and use the [◄] [►] buttons to adjust the value.
ParameterExplanation
Use this parameter to set the
level of the high frequency.
Adjusting the AUDIO IN Input Level
with a preset, then customize it until it is just right and save it in the user area.
1. From the "MASTER EQ" page press the "PRESET" Function button.
2. Use the [▲], [▼] buttons to select the desired preset. 3. Press the "SELECT" Function button to confirm your choice.
Its "EQ" icon is highlighted to indicate that the preset has been loaded.
Saving Your User Preset
Make the necessary adjustments to obtain the sound that suits you best.
1. From the "MASTER EQ" page, press the "SAVE" Function button.
2. If you wish, you can give a name to the preset pressing the "RENAME" Function button. For details how to rename see "Assigning the Name You Specify" (p. 20).
3. Press the "WRITE" Function button to save your preset. The display shows a confirmation message.
Restoring the Factory Settings (Factory Reset)
High Gain
Mid Freq
Mid Gain
Low Gain
Master Equalizer Preset
Positive values boost (increase the volume of) that frequency. Negative values cut (attenu ate) it.
This parameter allows you to set the cutoff frequency of the middle band.
Use this parameter to set the level of the selected MID frequency. Positive values boost (increase the volume of) that frequency. Negative values cut (attenuate) it.
Use this parameter to set the level of the low frequency. Positive values boost (increase the volume of) that frequency. Negative values cut (attenu ate) it.
The following function allows you to recall the VIVO S1’s original factory settings.
WARNING
All data will be deleted. Backup your own settings to an USB memory.
1. Press [MENU/EXIT] button and select FACTORY RESET function using the [▲], [▼] and [►] buttons. See "Moving the cursor and setting parameter values" (p. 20).
The display shows the following window.
2. Press the "YES" Function button proceed.
The message “Complete” informs you that the VIVO S1 has been
VIVO S1 comes with some Presets that can be handy in particular situations or a good way to get you started. You might want to start
initialized.
31
13 Practice with Song Player
This section explains how to playback audio songs stored in the internal memory or in the USB Memory (commercially available).
You can practice playing along backing song.
VIVO S1 play back the following file types:
File Type Extension
.mp3
2. To list the USB Memory contents, press the "USB" Function button.
The display shows the contents of the USB Memory.
Audio files
.wav
.aiff or .aif
3. Use the [▲][▼] buttons to scroll through files and folders.
Playing a Song
Loading a Song
1. Press the [SONG] button. Its indicator lights.
4. If the song you need is located inside a folder, you must first select that folder, press the "OPEN" Function button to see its contents and then select the song. If you opened a folder by mistake, press the " ⮠ " Function button to return to a higher level.
5. Press the "SELECT" Function button to load the song you want to practice. The song icon is highlighted to indicate the song selected.
Playing the loaded song
1. Press the [*-,] button.
The display shows the Song main page and the name of the current
song is shown if already loaded.
The [*-,] button’s indicator lights and song playback starts.
2. Press the "SONG LIST" function button. The display shows the contents of the Song internal memory.
2. Press the [*-,] button again to pause song playback. The [*-,] button goes dark.
3. To return to the beginning of the song, press the Function
button [ $ ].
Loading from Song Internal Memory
1. Use the [▲] [▼] buttons to scroll through the files to choose the song to load.
2. Press the "SELECT" Function button to load the song you want to practice.
Loading from USB Memory
1. Insert an USB Memory that contains songs. See "Connecting an USB Memory (commercially available)" (p. 16).
4. Press [*-,] yet again to resume playback.
Useful Song Controls
VIVO S1 has useful song controls that allow you to adjust the volume, rewind or fast-forward within the currently selected song, etc.
32
Useful Song Controls
1. Load the song you want to play back. See "Playing a Song"
(p. 32).
2. From the Song main page, press the "CONTROL" Function
button.
The display shows:
3. Use the [▲][▼] buttons select the control parameter.
4. Use the [◄] [►] buttons to choose your setting.
ParameterExplanation
VolumeAdjust the Volume of the song player.
• Press the [◄] to rewind within the
Time
Loop Mode
song.
• Press the [►] to fast-forward within the song.
"OFF":No loops. Playback stops at the end of the selected song current.
"SONG": Continuously repeats playback of the current selected song. The playback is repeated until select a different song or stop the song playback.
"LIST": Continuously repeats playback of all music files available in a folder, in consecutive order The playback is repeated until select a different song or stop the song playback.
33
14 Recording Your Performance
Your digital piano allows you to record your performance and save it internally or to an USB storage device.
Record and play back what you've played on the instrument can be an effective practice aid.
Recording as Audio Data
Your performance will be recorded as audio data. The recorded song can be used on your computer, phone and in any audio player.
NOTE
To use this method of recording, you must connect a USB drive (sold separately) to the USB Memory port (p. 16).
Recording Your Music as audio data (WAVE).
This useful function allows professional quality stereo recordings.
You can reproduce directly by a portable music players by using a computer.
Recording are saved in the external USB Memory (commercially available).
In addition, the VIVO S1 digital piano allows you to record everything is connected to the AUDIO IN socket. You can reproduce a backing audio track by external player connected to the AUDIO IN socket, play your piano along to in order to practice and then record your performance.
NOTE
• You will need a USB Memory (commercially available) to record your performance.
Audio Recorder format specifications
Audio Format Specification
WAV 48 kHz, 32 bit, Stereo
Before you start recording
1. Connect the USB Memory to which you wish to save the audio data. See "Connecting an USB Memory (commercially available)" (p. 16).
2. Prepare everything you want to record: select the tone and the keyboard mode that you want to use for performing. See "Selecting Tones" (p. 21).
Starting/stopping recording
3. Press the [ ] (Rec) button to start recording.
The indicator of the [ ] button lights and the VIVO S1 starts to recording everything you play on the keyboard.
4. At the end of the song, press the[ ] (Rec) button to stop recording.
The recording stop and the display shows a confirmation message.
Your audio file is saved to the “Recording”folder on the USB memory.
NOTE
Do not disconnect the USB Memory during the song recording or before the confirmation message is shown at the end of recording.
About the Recording Files
The audio file are saved in the "Recording" folder on the USB Memory.
If the "Recording" folder doesn't exist, it is automatically created at the first recording.
The song are saved with a different progressive number: rec_0001.wav, rec_0002.wav and so on.
Listening to your recording
5. Press the [*-,] button to listen your song.
If you want to re-record again, repeat from step 4.
NOTE
You should always safely eject the USB Memory before
physically unplugging it from USB socket. Before to unplug the USB Memory use the "USB REMOVE" function. See "Safely Remove the USB Memory" (p. 17).
How to Record your Performance over an Existing Audio Base (Overdub)
This is a technique used in audio recording. While listening to an existing recorded audio base, play a new performance along with it. All is recorded in a new song.
1. Connect the USB Memory to which you wish to save the audio data. See "Connecting an USB Memory (commercially available)" (p. 16).
2. Prepare everything you want to record: select the tone and the keyboard mode that you want to use for performing. See "Selecting Tones" (p. 21).
3. Load a existing audio base. See "Loading a Song" (p. 32).
4. Press the [ ] (Rec) button to start recording. 5. Press the [*-,] button to start the playback of the audio base as background.
6. Play your performance while listen the audio base. 7. At the end of song, press the [ ] (Rec) button to stop recording.
The recording stop and the display shows a confirmation message. 8. Press the [*-,] button to listen your song.
34
15 Working with the Memories
Using the Memories is a lot faster than calling up one of the VIVO S1’s functions, modifying the settings, etc., while playing.
VIVO S1 provides 80 Memories that allow you to store almost all settings (or registrations) you make on the front panel and the various display pages. Additional Memories can be imported directly from a USB Memory.
About the Memories and Memory Set structure.
The Memories you create are saved in the internal Memory Set or in an external Memory Set previously saved in the USB Memory. This allows you to prepare one set of Memories for weddings, another for corporate events, a third for anniversaries, etc.
Internal Memory Set
~
1 2 3 4 5 6 76 77 78 79 80
SAVE MEMORY SET
LOAD MEMORY SET
LOAD SINGLE MEMORY
OR
5. If you want to name your new Memory, see "Assigning the Name You Specify" (p. 20) for details.
6. Press the "OK" Function button to save the Memory. The memory will be saved and the list of Internal Memory is shown.
Recalling your Settings from Internal Memory
1. Press the [MEMORY/WRITE] button.
The [MEMORY/WRITE] button indicator lights steady and the list of Internal Memory is shown.
~
1 2 3 4 5 6 16 17 18 19 20 USB MEMORY
SAVE SINGLE MEMORY
Saving Your Settings in the Internal Memory
1. Change all settings the way you want to save them. For details on settings memorized, see p. 41.
2. Press and hold the [MEMORY/WRITE] button until the display shows:
MEMO
You can also select this function pressing [MENU] button 🠆MEMORY🠆RECALL.
2. Use the [▲][▼] buttons to move the cursor inside the list to select the Memory you want to recall.
3. Press the "RECALL" Function button to recall the Memory.
The Memory is recalled and the display shows the Memory highlighted.
The [MEMORY/WRITE] button indicator lights and the list of Internal
Memory is shown.
MEMO
You can also select this function pressing [MENU] button 🠆MEMORY🠆WRITE.
3. Use the [▲][▼] buttons to move the cursor inside the list in the position you want to replace the Memory.
4. Press the "SAVE" Function button to confirm. The display changes to:
Saving Your Settings in the USB Memory (commercially available)
1. Connect the USB Memory to which you wish to save the Memory. See "Connecting an USB Memory (commercially available)" (p. 16).
2. Change all settings the way you want to save them. 3. Press and hold the [MEMORY/WRITE] button until the display shows:
35
The list of Internal Memory is shown.
MEMO
You can also select this function pressing [MENU] button 🠆MEMORY🠆WRITE.
4. Press the [USB] Function button to select the destination memory.
The display shows a list of all files and folders on the USB storage device you have just connected.
Now you can save:
④ In a Memory Set previously saved. Continue from step (5)
④ In a new Memory Set. See "Saving in the New Memory Set" below.
Saving in the Memory Set previously saved
5. Use the [▲][▼] buttons to scroll through files and folders to select the Memory Set.
Memory Set Icon Memory Set file extension
.rif
Use the "OPEN" Function button if you need to enter in a folder. If you opened a folder by mistake, press the [⮠ ] button to return to a higher level.
6. Press the "OPEN" Function button to recall the Memory Set.
The display shows the list of memories in the Memory Set.
7. Use the [▲][▼] buttons to move the cursor inside the list in the position you want to replace the Memory.
8. Press the "SAVE" Function button to confirm. The display changes to:
36
Working with the Memories
9. If you want to name your new Memory, see "Assigning the Name You Specify" (p. 20) for details.
10. Press the "OK" Function button to save the Memory. The memory will be saved and the list of memories is shown.
Saving in the New Memory Set
1. Press the "NEW SET" Function button to create an empty Memory Set.
This page allows you to create a new Memory Set List whose name is selected automatically by the VIVO S1.
2. If you want to name your new Memory Set, see "Assigning the Name You Specify" (p. 20) for details.
3. Press the "OK" Function button to confirm the name. The display shows contents of the new Set just created.
4. Use the [▲][▼] buttons to move the cursor inside the list in the position you want to write the Memory.
5. Press the "SAVE" Function to confirm.
The display changes to:
A Memory name is suggested by the VIVO S1.
6. If you want to name your new Memory, see "Assigning the Name You Specify" (p. 20) for details.
7. Press the "OK" Function button to save the Memory. The memory will be saved and the list of Memories is shown.
Recalling your settings from an USB Memory
Recalling your settings from an USB
Memory
1. Connect an USB memory to the VIVO S1. For details see p.
16.
A USB icon appears in the Icons field of Main page. See "Main Page" (p. 19).
2. Press the [MEMORY/WRITE] button.
The [MEMORY/WRITE] button indicator lights steady and the list of Internal Memory is shown.
MEMO
You can also select this function pressing [MENU] button 🠆MEMORY🠆RECALL.
3. Press the "USB" Function button.
The display shows a list of all files and folders on the USB storage device you have just connected.
4. Use the [▲][▼] buttons to scroll through files and folders to select the Memory Set.
Memory Set Icon Memory Set file extension
.rif
Use the "OPEN" Function Button to enter in a folder.
If you opened a folder by mistake, press the [⮠ ] button to return to a higher level.
5. Press the "OPEN" Function button to open the selected Memory Set.
The display shows the list of Memories:
6. Use the [▲][▼] buttons to move the cursor inside the list to select the Memory you want to recall.
7. Press the "RECALL" Function button to recall the Memory.
The Memory is recalled and the display shows the Memory highlighted.
MEMO
To display the Internal Memories again, press the "INTERNAL" Function button.
Renaming a Memory
This function allows you to change the name of a selected Memory. 1. Press the [MENU] button and select MEMORY🠆RENAME. The list of Internal Memory is shown:
2. Use the [▲][▼] buttons to move the cursor inside the list in the position you want to rename the Memory.
3. Press the "RENAME" Function button to confirm. The display changes to:
4. Use the [▲][▼] and the [◄][►] buttons to rename the Memory. See "Assigning the Name You Specify" (p. 20) for details.
5. Press the "OK" Function button to confirm the name.
The memory will be renamed and the list of Internal Memory is shown.
Exporting a Memory Set in the USB Memory
Use this function for exporting the Internal Memory Set in the USB Memory (commercially available).
This function is useful to create special sets for each event and import them at your convenience.
You can also use this function to backup the Internal Memories. 1. Connect an USB memory to the VIVO S1. For details see p. 16.
A USB icon appears in the Icons field of Main page. See "Main Page" (p. 19).
37
Working with the Memories
2. Press the [MENU] button and select MEMORY🠆EXPORT SET.
The display shows a list of all files and folders on the USB storage device you have just connected.
3. Use the [▲][▼] buttons to scroll through folders to select the Memory Set to import.
3. Use the [▲][▼] buttons to scroll through folders to select the destination folder.
Use the "OPEN" Function button to enter in a folder.
If you opened a folder by mistake, press the [⮠ ] button to return to a higher level.
4. Press the "EXPORT" Function button to confirm your selection.
The display changes to:
A Memory Set name is suggested by the VIVO S1.
5. If you want to name the Memory Set, see "Assigning the Name You Specify" (p. 20) for details.
6. Press the "OK" Function button to export the Memory Set. A message confirm the operation.
NOTE
You should always safely eject the USB Memory before
physically unplugging it from USB socket. Before to unplug the USB Memory use the "USB REMOVE" function. See "Safely Remove the USB Memory" (p. 17).
Importing a Memory Set from the USB Memory
Use this function for importing Sets from the USB Memory (commercially available) to Internal Memory.
1. Connect an USB memory that contains Memory Sets to the VIVO S1. For details see p. 16.
A USB icon appears in the Icons field of Main page. See "Main Page" (p. 19).
2. Press the [MENU] button and select MEMORY🠆IMPORT SET.
The display shows a list of all files and folders on the USB storage device you have just connected.
Use the "OPEN" Function button to enter in a folder.
If you opened a folder by mistake, press the [⮠ ] button to return to a higher level.
4. Press the "IMPORT" Function button to confirm your selection.
A message confirm that the Memory Set was imported.
NOTE
You should always safely eject the USB Memory before physically unplugging it from USB socket. Before to unplug the USB Memory use the "USB REMOVE" function. See "Safely Remove the USB Memory" (p. 17).
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16 USB MIDI Keyboard Controller
The VIVO S1 is also designed to connect directly to your Mac or PC
through USB bus. You can use many commercial software application for
sequencing, notation and so on.
To connet the VIVO S1 to your PC, see "Connecting the VIVO S1 to Your
Computer" (p. 16).
MIDI Connections Possibilities
You can also connect devices such as keyboards that are equipped with a MIDI connector to transmit or recevive messages.
To do this, you can use of commercially available USB
MIDI interface connected to the USB Memory port of
your VIVO S1. See "Connecting an USB MIDI Interface
(commercially available)" (p. 17).
Programmable Four MIDI zones
VIVO S1 has four programmable separated MIDI zones. For each zone you can select the MIDI channel, the keyboard range, adjust the Octave,
In the example above we selected "ZONE".
3. Use the [▲][▼] buttons to select the parameter. 4. Use the [◄][►] buttons to adjust the value. Here is a brief explanation of MIDI zone configuration parameters:
ParameterExplanation Switch Disable or enable the MIDI zone. Channel Select the MIDI transmit channel. Octave Adjust the Octave value. Transpose Adjust the Transpose value. Note Low Set the keyboard range.
MEMO
An easy way to set the range,
Transpose and many other parameters.
MEMO
The zone settings can be saved in the memories. See "Working
Note High
- Select the parameter (Note Low or Note High).
- Press a key on the keyboard.
with the Memories" (p. 35).
CC00 These messages are used to select a
MEMO
To facilitate the MIDI settings using the zones, you have a special MIDI SET called "KeyboardZone". Please see "MIDI SET" (p. 48).
CC32 PC
sound on the external device when you active the zone.
Select the triplet (cc00, cc32, PC) to define the sound.
MIDI OUT COMPUTER MEMORY
MIDI
INTERFACE
Level Set the volume level to send to the external device.
Panpot Set the panpot value to send to the external device.
OFF: use this setting if you do not want
the triplet (cc00, cc32, PC) is sent via
OR
Zone 1 Zone 2 Zone 3 Zone 4 Channel 5 Channel 6 Channel 7 Channel 8
PC Send
Bender
Modulation
MIDI.
ON: use this setting to send the triplet (cc00, cc32, PC) via MIDI.
OFF: The bender wheel is decoupled.
On: The bender wheel is coupled with the zone. The bender values are transmitted via MIDI.
OFF: The modulation wheel is decoupled.
On: The modulation wheel is coupled with the zone. The modulation values are transmitted via MIDI.
Configure the MIDI zones
Foot SW OFF: The function of the pedal is
Damper
Expression
1. Press the [MENU] button and select MEMORY🠆SETTING.
2. Use the [▲][▼] buttons to select the ZONE you want to
configure and press the [►] button.
decoupled.
On: The function linked to the pedal is coupled with the zone. The values are transmitted via MIDI.
39
17 Playing with Audio Backing Tracks 2. Rotate the [VOLUME] knob toward the lower position to
Thanks to X MURE® application and VIVO S1 you can play your favourite melodies while controlling a audio pattern.
X MURE® is a DEXIBELL® software product
WHAT IS X MURE
• X-MURE is an application that runs on iPhone or IPad.
• Using “Harmony Poly Fragmentor“ the world first algorithm able to modify “audio tracks” in real time, “X MURE” allows
you to play music directly on the screen of your iPad/iPhone
or with a musical instrument connected via USB.
• “X MURE” does not use sound generators, virtual
instruments or “Standard MIDI file”, it is exclusively based on
audio tracks recorded by real musical instruments, so it does
not simulates reality... it is the reality.
WHAT YOU CAN DO WITH X MURE
• Control X MURE audio patterns by live chord progression played by VIVO S1.
• Re-‐arrange your favourite music tracks using countless musical genres or create a completely new song hit.
WHAT YOU NEED TO USE X MURE
• VIVO S1 Digital Piano.
• Apple iPad Camera Connection Kit (Camera connectors made by Apple Inc.).
• USB cable (type A–male - type B–male: commercially
available).
• Audio cable (3.5 mm jacks).
• Download X MURE application from App Store.
Connecting your Mobile Device
1. Connect your iPad with your VIVO S1 by using a USB iPad camera connector and a USB cable.
minimize the volume.
3. Connect the VIVO S1’s INPUT jack positioned to the left front bottom panel to the output of your mobile device. See "Connecting Digital Player devices" (p. 16).
Playing with X MURE Application
1. Turn your VIVO S1 and your iPad on.
2. Touch the X MURE icon in your iPad to open the app. Now you have three possible choices:
3. Touch Dexibell VIVO icon to have the maximum performance with VIVO S1.
The following page appears:
4. Play a note in the keyboard to inform X MURE which part you want use to control it.
5. On X MURE select the audio pattern you want play back. 6. Touch the play icon of the X MURE application. The pattern start to play back.
MEMO
You can use a pedal to Play or Stop the play back of the pattern. See "CONTROL" (p. 43).
7. Play chords in the keyboard. The audio pattern follows your chord progression.
8. On X MURE touch the "A", "B", "C", "D" icon button to chose a different scene.
MEMO
You can use a pedal to select different scene. See "CONTROL" (p. 43).
9. On X MURE touch the "1", "2", "3", "4" icon button to chose a different drum pattern.
MEMO
You can use a pedal to select different drum pattern. See "CONTROL" (p. 43).
40
18 MENU Options (Advanced Section)
The VIVO S1’s [MENU] button provides access to the available parameters and functions.
General procedure
1. Press the [MENU] button.
The display changes to:
2. Use the [▲] [▼] buttons to select the entry of the desired function group.
3. Press the [►] button to go to the display page where you can edit the parameters of the selected group, or to execute the selected command.
For more details about the parameters selection, see "Moving the cursor and setting parameter values" (p. 20).
The following parameters and functions are available:
Parameters Group
SETTING Parameters Group . . . . . . . . . . . . . . . . . . . . 42 MAIN SETTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Level. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Panpot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Mute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 LOWER SETTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 COUPLED SETTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Level. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Panpot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Octave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Coarse Tune. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Fine Tune. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Note Low. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Note High. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 ZONE 1 SETTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 ZONE 2 SETTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 ZONE 3 SETTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 ZONE 4 SETTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 KEYBOARD TOUCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 TRANSPOSE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 SPLIT MODE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Split Point. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
T2L EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
EFFECTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 MAIN FX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 LOWER FX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 COUPLED FX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 REVERB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 MASTER EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 DAMPER PEDAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Virtual Damper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
PEDAL ASSIGN 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Funct.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
PEDAL ASSIGN 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Funct.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
EXPRESSION PEDAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Funct.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
TUNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 MASTER TUNE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 TEMPERAMENT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Equal Flat. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Equal Stretch (default). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 VIVO Stretch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Vallotti. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Just Major. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Pythagorean. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Mean-Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Werckmeister III. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Kimberger III . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 User 1, User 2, User 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
MEMORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 USB REMOVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
AUDIO INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 LEVEL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 RECEPTION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46 Main, Coupled, Lower. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Shift. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Modulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Panpot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Expression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Reverb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Chorus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Hold. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Sostenuto. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Soft. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 PG (Program Change). . . . . . . . . . . . . . . . . . . . . . . . . . . .47 PB (Pitch Bender). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 TRANSMISSION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Main, Coupled, Lower. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Shift. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Local. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Modulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Panpot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Expression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Reverb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Chorus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Hold. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Sostenuto. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Soft. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 PG (Program Change). . . . . . . . . . . . . . . . . . . . . . . . . . . .47 PB (Pitch Bender). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
41
Status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Common. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Active Sensing (FEH). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
MENU Options (Advanced Section)
ParameterExplanation
Adjusts the volume of the
Main keyboard part.
MIDI SET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 SAVE MIDI SET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
GLOBAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Auto OFF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Pedal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
SOUND LIBRARY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 FACTORY RESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 VERSION INFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Level
Panpot Octave
Selecting “0” means that the part in question is no longer audible.
Use this parameter to set the stereo placement of the selected instrument. “0” means “no change”, negative values shift the instrument towards the left, and positive values shift it towards the right.
Use this parameter to
transpose the selected
instrument up or down by up to 4 octaves.
NOTE
The parameters can be stored in various memory areas. The following table shows you how to know in which area it is stored.
Icons Explanation
This symbol indicates that the
parameter or the parameters
group can be stored in the
Internal Memory area. See
"Working with the Memories"
INTERNAL MEMORY
(p. 35).
This symbol indicates that the
parameter or the parameters
group can be stored in the
Mute Select "ON" to mute the keyboard part.
⇪ LOWER SETTING
Contains the parameters for the keyboard Lower part. Same settings as Main part. See above.
⇪ COUPLED SETTING
Contains the parameters for the Coupled part.
ParameterExplanation
Level
Same settings as Main part.
See above. Panpot
Octave
The Coarse and Fine Tune are
used to create interference
pattern between two
Global Internal Memory area.
The Global Internal Memory Area is automatically saved when you turn off the instrument.
Coarse Tune
sounds of slightly different frequencies.
Changes the pitch in semi-tone steps.
GLOBAL MEMORY
NOTE
Use the appropriate button to turn off the instrument. Do not disconnect the power adapter from the outlet before the instrument is turned off.
Fine Tune Changes the pitch in steps of 1 cent (1/100 semi-tone).
Note Low You can set the keyboard Note High range for the Coupled part.
⇪ ZONE 1 SETTING
⇪ ZONE 2 SETTING
⇪ ZONE 3 SETTING
SETTING Parameters Group
[MENU] button 🠆SETTING INTERNAL MEMORY
In this parameters group you can access to the important settings of your digital piano.
⇪ MAIN SETTING
This is where you can edit parameters related to keyboard Main part.
⇪ ZONE 4 SETTING
See "USB MIDI Keyboard Controller" (p. 39).
⇪ KEYBOARD TOUCH
See "Adjusting the Keyboard Response (Key Touch)" (p. 30).
⇪ TRANSPOSE
This function allows you to transpose the VIVO S1’s pitch in semi tone steps. Depending on the mode setting, this transposition applies to all sections or just a specific setting. For more details see "Transposing the pitch of the keyboard" (p. 30).
⇪ SPLIT MODE
This parameter allows you to set the point of keyboard split.
MEMO
You can also select this parameter pressing and holding the [ ] button until the display shown the following page:
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CONTROL
[MENU] button 🠆CONTROL
T2L EDITOR GLOBAL MEMORY
ParameterExplanation
Split Point See "How to change the Split Point" (p. 23).
T2L EDITOR
[MENU] button 🠆T2L EDITOR INTERNAL MEMORY
See "Personalizing Your Sounds" (p. 27).
EFFECTS
[MENU] button 🠆EFFECTS INTERNAL MEMORY
Your instrument contains two multi-effects (FX-A and FX-B) processor that can be used for processing any Keyboard part you like.
This group of parameter is related to the pedals and assign switches controls The VIVO S1 allows you to manage and assign various function to the pedals connected to the PEDAL sockets. See "Connecting the Pedals" (p. 15).
Here you can assign functions.
⇪ DAMPER PEDAL
ParameterExplanation
OFF: Select “OFF” if you don’t need
damper pedal.
⇪ MAIN FX
This selection provides access to the display pages where you can set the effects parameters of the VIVO S1’s Main part.
For details regarding effects parameters, refer to the“Effects Types and Parameters “ table p. 49.
For more details about the selection of FXs and the relative parameters, see the section "Sound Effects" (p. 26).
⇪ LOWER FX
Contains the effect parameters for the keyboard Lower part Same settings as Main part. See above.
⇪ COUPLED FX
Contains the effect parameters for the Coupled part
Same settings as Main part. See above.
⇪ REVERB
See "Adding Reverb to the Sound" (p. 26).
⇪ MASTER EQ
See "Master Equalizer" (p. 31).
Part
Virtual Damper
⇪ PEDAL ASSIGN 1
MAIN, COUPLED,
LOWER, MAIN+LW, MAIN+CP, MAIN+LW+CP, LOWER+CP: the damper pedal is assigned to the specified part or parts.
OFF: The "Virtual Damper" function is not enabled.
ON: The "Virtual Damper" funcion is enabled.
This function allows you to sutains notes even without using the Damper pedal. Now, the trick is to play legato to enable the sustain or play staccato to disable the sustain.
In other words, if you play a key and then press a second key without releasing the previous key, the sustain is automatically enabled. It is as if the Damper pedal was pressed. Instead, if you play staccato the sustain is not enabled.
MEMO
This parameter acts on the currently selected part.
NOTE
This parameter can not be saved in memories and in the global internal memory.
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ParameterExplanation OFF: No function assigned.
MENU Options (Advanced Section)
ParameterExplanation Expression: The pedal is assigned
See "Pedal Functions Explana
tion" (p. 51).
Funct.
Funct. Part
to the expression.
Modulation: The pedal is assigned
to the Modulation.
OFF: Select “OFF” if you don’t need
expression pedal.
MAIN, COUPLED,
LOWER, MAIN+LW, MAIN+CP,
MAIN+LW+CP, LOWER+CP: the
damper pedal is assigned to the
specified part or parts.
Pedal Functions Explanation
Function Explanation
Sostenuto The pedal is used as Sostenuto.
The pedal is used as Soft The soft pedal reduces the volume
OFF: Select “OFF” if you don’t need of pedal.
MAIN, COUPLED,
Soft
FXA On-Off
and slightly changes the timbre of notes played while the pedal is pressed.
Part
⇪ PEDAL ASSIGN 2
LOWER, MAIN+LW, MAIN+CP, MAIN+LW+CP, LOWER+CP: the pedal is assigned to the specified part or parts.
FXB On-Off Allows you to switch the MFXA/B on and off. Memory Prev.
Memory Next Allows you to select the next or previous Memory. Rotary S/L Thisfunction alternate between the fast and slow Rotary speeds. Part On/Off Enable or disable the selected keyboard part.
XMure FillUp XMure FillDw XMure SceneUp XMure SceneDw
Using these functions you can select a the next or the previous drum pattern in the XMure® application.
These functions allow you to change scene of the accompani ment in the XMure® application.
ParameterExplanation OFF: No function assigned.
See "Pedal Functions Explana
tion" (p. 51).
Funct.
Part Same as "Int. Part" of ASSIGN 1 pedal. See the above explanation.
⇪ EXPRESSION PEDAL
XMure Play/Stop Play or Stop the playback of a XMure® pattern. XMure Ending Select the Ending pattern.
TUNING
[MENU] button 🠆TUNING
GLOBAL MEMORY
⇪ MASTER TUNE
Setting Explanation 415.4 Hz~ 440.00 Hz~ 466.1 Hz Select the desiderate tuning.
"440.00 Hz" Function button Use the "440.00 Hz" and "442.00 Hz" Function buttons to tuning the
instrument at those values. "442.00 Hz" Function button
44
TUNING
Some Information About the Master Tune
Pianos are generally tuned to an A 440 pitch standard
that was adopted during the early 1900s in response to
widely varying standards. Previously the pitch standards
had gradually risen from about A 415 during the late
1700s and early 1800s to A 435 during the late 1800s.
Though A 440 is generally the standard, some orchestras,
particularly in Europe, use a higher pitch standard, such
The "EDIT" Function button appears.
1. Press the "EDIT" Function button to program your scale.
as A 444.
⇪ TEMPERAMENT
The modern pianos are tuning in Equal Stretch temperament, in which every pair of adjacent pitches is separated by the same interval.
There are other scale used in different music style. Modern musical scale in western culture are different in one other way from older classic music. At the time of Bach the scales were based on the note A being about 415 Hz. In the Handel's time the frequency A was 422.5 Hz and today it is 440.0 Hz.
Setting Explanation
Equal Flat This tuning divides each octave into 12 equal steps (intervals).
Equal Stretch: This tuning is a correc
tion of Equal Flat. A benefit of stretching
2. To select a note, use the [▲][▼] or play a note on the keyboard.
3. Use the [◄][►] buttons or the [DATA ENTRY] knob to modify the tuning of the selected note.
4. Press [HERTZ/CENT] Function button to change the tuning in steps of 1/100 of cent.+2,10
HERTZ CENT
Setting Explanation
-99.99 ~ 0 ~ +99.99 (cent) Set the note tuning.
5. Press the "WRITE" Function button to save your scale.
The following page appears:
Equal Stretch (default) VIVO Stretch
octaves is the correction of dissonance that equal temperament imparts to the perfect fifth.
This tuning is similar to the Equal Scretch with small adjustments to make it more suitable for piano sounds.
6. Use the [▲][▼] buttons to select the USER scale where you want save your scale.
7. Press the "WRITE" Function button to save your scale.
Vallotti This tuning is the default for many of today's Baroque musicians.
Just Major This is a just scale for pieces in mayor keys.
This system was invented in ancient
Greece. It resolves the ambiguity of
A message of confirmation appears.
If you selected a scale other than equal temperament: 1. If you selected a scale other than equal temperament as Pythagorea, Mean-Tone, Werckmeister III, Kimberger III and the Just Major and Minor temperament scale, you can specify the root note:
Pythagorean
Mean-Tone
Werckmeister III Kimberger III
User 1, User 2, User 3
fourths and fifths. Though thirds are somewhat imperfect, melodies sound clearer.
A temperament that adds some compromises to the just temperament and facilitates transposition.
A combination of the Mean Tone and Pythagorean temperaments, this tuning allows for playing in any key.
As a result of improvements made to the Mean Tone and Just temperaments, this tuning system is relatively tolerant towards transposition and can be used to play in all keys.
User 1, User 2, User 3: These
settings refer to the tuning systems programmed by yourself (or someone else).
The "ROOT NOTE" Function button appears.
2. Press the "ROOT NOTE" Function button if you want specify the base note.
1. Select your favorite temperament scale .
2. Press the "RECALL" Function button to load the scale. The temperament scale is recalled.
Editing the Equal Flat, Equal Stretch or Vivo Stretch scale If you selected the Equal Flat, Equal Stretch or Vivo Stretch scale:
3. Select the root note.
Setting Explanation C, CG, D, EH, E, F, FG, G, AH, A, BH, BSelect the base note of the temperament scale.
45
MENU Options (Advanced Section)
4. Press the "⮠ " Function button come back to previous page.
If you selected one of USER scales:
The "EDIT" Function button appears.
⇪ LEVEL
Setting Explanation
1. Press the "EDIT" Function button to program your scale.
2. To select a note, use the [▲][▼] or play a note on the keyboard. 3. Use the [◄][►] buttons to modify the tuning of the selected note.
4. Press [HERTZ/CENT] Function button to change the tuning in steps of 1/100 of cent.
Setting Explanation
-99.99 ~ 0 ~ +99.99 (cent) Set the note tuning.
5. Press the "WRITE" Function button to save your scale.
A message of confirmation appears.
6. Press the "⮠ " Function button come back to previous page.
1~ 127 Here you can adjust the input level of the signals received via Audio In socket.
MIDI
[MENU] button 🠆MIDI INTERNAL MEMORY
This group allow you to configure the MIDI parameters. You can transfer MIDI data between the VIVO S1 and your sequencer software.
Here is a brief explanation of VIVO S1 keyboard parts:
Part Explanation
At power-on, the instrument is automatically selected in Grand Piano Mode. All keyboard play note in the Main part.
MEMORY
[MENU] button 🠆MEMORY INTERNAL MEMORY
For the explanation of this section please refer to "Working with the Memories" (p. 35).
USB REMOVE
Main
Coupled Lower
Main Part
This part can be combined with the Main part. To do this press
the [ ] button. The second part (Coupled Part) play over the entire keyboard in combination with the Main part. Main Part + Coupled Part
This part is activated when you split the keyboard in two
zone: Left and Right. To split the keyboard press the [ ] button. The Keyboard is now divided into two sections. The region of the keyboard to the left of the split point becomes the Lower part , while the region of the keyboard to the right of the split point becomes the Main part.
Lower Part Main Part
[MENU] button 🠆USB REMOVE
Before to unplug the USB Memory, use this function to safely remove it. See "Safely Remove the USB Memory" (p. 17).
AUDIO INPUT
[MENU] button 🠆AUDIO INPUT
1. Select the group of parameters you need (Reception, Transmission and Global).
⇪ RECEPTION
You can configure the MIDI receive parameters of Main, Coupled and Lower part. Additionally, you can manage the received MIDI messages for the memories.
46
1. Select the part you want to edit (Main Coupled and Lower).
In the example above we selected the Main keyboard part.
Main, Coupled, Lower
Parameter Explanation
Status Select “On” if you want the selected part to receive MIDI data.
Channel Allows you to assign a MIDI receive channel to the selected part.
This parameter allows you to transpose
the received note messages before
sending them to the VIVO S1’s tone
General procedure
Coupled and Lower part. Additionally, you can manage the transmitted MIDI messages for the memories control. Selecting the "Common" you can decide whether to send or not the "Active Sensing" MIDI messages.
1. Select the part you want to edit (Main Coupled and Lower).
In the example above we selected the Main part.
Main, Coupled, Lower
Parameter Explanation
Status Select “On” if you want the selected part
Shift
Modulation Volume
generator. The maximum possible transposition is four octaves up (48) and down (–48). Each step represents a semi-tone.
to transmit MIDI data.
Channel Allows you to assign a MIDI transmit channel to the selected part.
This parameter allows you to transpose
the note messages before they are
Panpot
Expression
Reverb
Chorus
Hold
Sostenuto
Soft
PG (Program Change)
PB (Pitch Bender)
These filters allow you to specify whether (On) or note (Off) the messages in question should be received.
Shift
Local
Modulation Volume
Panpot
Expression Reverb
Chorus
Hold
transmitted to an external MIDI device. The maximum possible transposition is four octaves up (48) or down (–48).
You can disconnect the part from the internal sound source (“Off”) – or re-establish that connection (“On”).
These filters allow you to specify whether (On) or note (Off) the messages in question should be transmitted.
Part MIDI RX channel (default)
Main 1
Coupled 2
Lower 3
Memory 15
2. If you selected the "Memory" part, the following page is showed:
Memory
Parameter Explanation
Status Select “On” if you want to receive MIDI messages for the memories selection.
ChannelAllows you to assign a MIDI receive channel to the "Memory" part.
⇪ TRANSMISSION
Sostenuto
Soft
PG (Program
Change)
PB (Pitch Bender)
Part MIDI TX channel (default)
Main 1
Coupled 2
Lower 3
Memory 15
2. If you selected the "Memory" part, the following page is showed:
Memory
Parameter Explanation
Select “On” if you want to transmit MIDI
Status
messages when you recall a memory.
See "Working with the Memories" (p. 35).
ChannelAllows you to assign a MIDI transmit
channel to the "Memory" part.
47
You can configure the MIDI transmission parameters of Main,
MENU Options (Advanced Section)
3. If you selected the "Common" part, the following page is showed:
ParameterExplanation
Common
Parameter Explanation
This MIDI messages is transmitted
constantly at intervals of approximately
250 ms.
This MIDI message is used to monitor
the MIDI connection. If there was a
Auto OFF
This parameter allows you to cause the VIVO S1 to switch itself off after the selected number of minutes has elapsed if you are not using it.
Select “Off” if you prefer not to use this function.
Global: Set this value if you want
Active Sensing
(FEH)
⇪ MIDI SET
disconnection, after a connection has been made, the connected device no longer receives the active sensing (FEH) message and reset all notes that have remained actives messages.
Select “On” if you want to transmit the Active Sensing MIDI.
Pedal
the pedal assignments are saved in the global area. The pedal assignment does not depend on the recalled memory.
Memory: Set this value if you want the pedal assignments are saved in the Memories. The pedal assignment depends on the recalled memory.
MIDI Sets are memories for MIDI settings. The VIVO S1 provides four MIDI Set memories.
The first MIDI Set, called "Dexibell", is read-only and allows you to restore the MIDI factory setting. The other three memories allow use to memorize and recall your MIDI configuration.
The second MIDI Set called "KeyboardZone", it is read-only and is a fast way to configure the MIDI channels using the zones.
1. Use the [▲][▼] to select the MIDI Set and press the "RECALL" Function button to load it.
2. Press the "SAVE" Function button to jump in the SAVE MIDI SET page. ⇪ SAVE MIDI SET
1. Use the [▲][▼] to select the MIDI Set memory and press the "WRITE" Function button to save your configuration.
GLOBAL
[MENU] button 🠆GLOBAL
GLOBAL MEMORY
These parameters allow you to adjust some global aspect of your piano.
These parameters are automatically saved in the VIVO S1 global memory area.
SOUND LIBRARY
[MENU] button 🠆SOUND LIBRARY
You can import sounds library in the internal memory of VIVO S1 and use them in your performances. For details see "Additional Sound" (p. 24).
FACTORY RESET
[MENU] button 🠆FACTORY RESET
This function allows you to recall the VIVO S1’s original factory settings. Please see "Restoring the Factory Settings (Factory Reset)" (p. 31).
VERSION INFO
[MENU] button 🠆VERSION INFO
This page shows you the version number of theVIVO S1’s operating system.
48
19 AppendixEffects Types and Parameters List
ParameterExplanation Adjusts the delay from the direct signal
1: Thru
The effects processor is bypassed.
2: EP Tremolo
This effect cyclically modulates (Speed) the amplitude (Intensity) to
PreDelay
Phase
6: Chorus
and the moment when the flanger starts working.
This sets the LFO phase difference between the left and right, in steps of 10 degrees It give more spatial of the sound.
add tremolo to the sound. It's the electric piano typical effect.
ParameterExplanation Speed Sets the speed of the tremolo effect. Intensity Depth to which the effect is applied.
3: Equalizer
This effect adds thickness and warmth to the sound by modulating the delay time of the input signal. You can add spread to the sound by offsetting the phase of the left and right LFOs from each other.
ParameterExplanation Rate Adjust the modulation speed. Intensity Allows you to set the chorus intensity. Adjusts the proportion of the chorus
Feedback
This is a four-band stereo equalizer (low, mid x 2, high).
sound that is fed back into the effect.
Negative (–) settings will invert the phase.
ParameterExplanation Low Freq Selects the frequency of the low range.
Balance Balance the Volume between the direct and the effect sound.
Adjusts the delay from the direct
Low Gain Adjusts the gain of the low frequency. High Freq Selects the frequency of the high range. High Gain Adjusts the gain of the high frequency. Mid1 Freq Selects the frequency of the Mid1 range. Mid1 Gain Adjusts the gain of the Mid1 frequency. Move this parameter to adjusts the width of
PreDelay Phase
signal and the moment when the chorus starts working.
This sets the LFO phase difference between the left and right, in steps of 10 degrees.
Mid1 Q
the area around the Middle 1 frequency that will be affected by the Gain setting.
Higher values of Mid1 Q set narrowest area.
7: Phaser
This effect creates a swell by shifting the phase. It is very effective
Mid2 Freq Selects the frequency of the Mid2 range. Mid2 Gain Adjusts the gain of the Mid2 frequency.
Move this parameter to adjusts the width of
the area around the Middle 2 frequency that
on electric piano sounds. You can add spread to the sound by offsetting the phase of the left and right LFOs from each other.
ParameterExplanation
Mid2 Q
will be affected by the Gain setting. Higher values of Mid2 Q set narrowest area.
Rate Adjust the modulation speed. Intensity Allows you to set the phaser intensity. Adjusts the proportion of the phaser sound
Feedback
that is fed back into the effect.
Negative (–) settings will invert the phase.
4: Vibrato
Vibrato is a musical effect consisting of a regular, pulsating change of pitch. It is used to add expression to instrumental music.
ParameterExplanation
Rate Sets the speed of the vibrato effect. Intensity Allows you to set the vibrato intensity.
5: Flanger
This effect gives a significant swell and movement of pitch to the
Phase This sets the LFO phase difference between the left and right, in steps of 10 degrees.
8: Reverb
This effect adds reverberation to the sound, simulating an acoustic space as a room or a larger halls or stadiums.
ParameterExplanation
Level Set the quantity of Reverb effect
Adjusts the amount of damping of the room
sound. It produces a metallic resonance effect.
Damping
(Carpet, Wood, Brick, Concrete, Marble).
Higher values increase the amount of high frequency attenuation.
ParameterExplanation Rate Adjust the modulation speed. Intensity Allows you to set the flanger intensity. Adjusts the proportion of the flanger sound
Room Size It determines the size of the simulated room. Width Adjusts the stereo width of the Reverb effect. Higher value increase the stereo width.
Adjusts the delay from the direct signal and the
Feedback
that is fed back into the effect.
Negative (–) settings will invert the phase.
PreDelay
moment when the reverb starts working. This is used to simulate the distance between the
Balance Balance the Volume between the direct and the effect sound.
original signal and the reflective surfaces.
49
Appendix
9: Delay
The delay effect is used to simulate echo (repetition).
ParameterExplanation Speed Switches the speaker rotation speed between slow and fast.
This parameter allows you to manually
control the wheel brake.
ParameterExplanation Delay L Sets the delay time for the left channel. Delay R Sets the delay time for the right channel.
Brake
Off is the default; the tone wheels will turn normally.
Changing this to On will make the tone wheels gradually slow down and stop.
Feedback
Adjusts the proportion of the delay sound that is fed back into the effect.
Negative (–) settings will invert the
Vibrato Sw Disable and enable the vibrato effect.
This selects one of the six classic Vibrato/
Chorus presets.
phase.
Wet Adjust the quantity of the delayed ("wet") signal.
Dry Adjust the quantity of the unmodified ("dry") signal.
Vibrato Type
13: Tremolo
“V” stands for Vibrato, and “C” stands for Chorus.
10: Cross Delay
Cross Delay allows you to create advanced stereo delay.
Each echo can be sent to the opposite channel from the source signal (echo of the left channel is heard on the right).
ParameterExplanation
Delay L Sets the delay time for the left channel. Delay R Sets the delay time for the right channel. Adjusts the proportion of the delay
This effect cyclically modulates (Speed) the amplitude (Intensity) to add tremolo to the sound.
ParameterExplanation
Speed Sets the speed of the tremolo effect. Intensity Depth to which the effect is applied.
14: Tremolo Pan
This effect is similar to the Tremolo. It include an extra parameter
Feedback
sound that is fed back into the effect.
Negative (–) settings will invert the phase.
that indicate the phase between the left or right channel.
Wet Adjust the quantity of the delayed ("wet") signal.
Dry Adjust the quantity of the unmodified ("dry") signal.
ParameterExplanation Speed Sets the speed of the tremolo effect. Intensity Depth to which the effect is applied. This sets the LFO phase difference
11: Triple Tap Delay
The Triple Tap Delay produces three delay sounds: center, left and right.
Phase
15: Overdrive
between the left and right, in steps of 10 degrees.
ParameterExplanation Delay L Sets the delay time for the left channel. Delay R Sets the delay time for the right channel. Delay C Sets the delay time for the center (L+R) channel.
Adjusts the proportion of the delay
This effect is designed to work and sound like an old tube amp turned up loud. It suitable for hard rock and similar musical genres.
ParameterExplanation Drive Higher Drive settings, mean more distortion.
Use this parameter to accent or attenu
Feedback
sound that is fed back into the effect. Negative (–) settings will invert the
Tone
ate certain dominant or unwanted overtones.
phase.
Level L Adjust the volume of the left delay sound.
Level R Adjust the volume of the right delay sound.
Level C Adjust the volume of the center delay sound.
Wet Adjust the quantity of the delayed ("wet") signal.
Dry Adjust the quantity of the unmodified ("dry") signal.
12: Rotary
The rotary is a typical effect generated by the rotation of the speakers, this rotation creates a Larsen effect. It gives spaciousness to the sound.
Level Increase or decrease the volume of the effect.
Low Freq Selects the frequency of the low range. Low Gain Adjusts the gain of the low frequency. High Freq Selects the frequency of the high range.
High Gain Adjusts the gain of the high frequency.
50
S1 Tone List
S1 Tone List
PIANO
0001 0 0002 1 0003 2 0004 2 0005 0 0006 1 0007 2 0008 3 0009 1 0010 0 0011 1 0012 0 0013 1 0014 2 0015 3
E. PIANO
0016 0 0017 1 0018 2 0019 5 0020 6 0021 3 0022 4 0023 0 0024 1 0025 0 0026 1 0027 2 0028 3
ORGAN
0029 0 0030 1 0031 0 0032 1 0033 2 0034 0 0035 1 0036 0 0037 1 0038 2 0039 3
ENSEMBLE
0040 0 0041 1 0042 0
(MORE)
0067 0 0068 0 0069 0 0070 0 0071 0 0072 0 0073 0 0074 0 0075 0 0076 0 0077 0 0078 0 0079 1 0080 0
51
u
20 Troubleshooting
Symptom Page Power turns automatically off.48
14
The instrument does not turn on.
-
17
-
No sound from the VIVO S1.
42
The volume level of the instrument is too low when
it is connected to an amplifier.-
-
Insufficient volume from a device connected to the
VIVO S1’s INPUT jack.
46
The keyboard volume is lower than the Song
playback volume.32 The pitch of the instrument is incorrect. 4442
-
A “buzz” is heard from the external amplifier.
-
After connecting theVIVO S1’s USB COMPUTER port
to your computer, the VIVO S1 doesn’t receive MIDI
46
messages.
Unable to read from/write to USB Memory. - Can’t save to USB Memory. -- Audio recording won’t start or stops unexpectedly.- The songs won’t play. 32-
52
21 Specifications
ITEMS
KEYBOARD TYPE 68 - Keys Light Weigthed - Dual contact
TONE GENERATOR T2L: Sampling and Modelling Technology MODELLING Reactive to player articulation
SAMPLING
SOUND WAVE FORMAT 24 bit linear - 48 KHz (Internal processing and DSP at 32 bit floating)
DIGITAL ANALOG CONVERTION (DAC) MAXIMUM POLYPHONY
SOUNDS 80 + Unlimited User (depending on the internal memory free), downloadable with file extensions .DXS and .SF2
MEMORY
KEYBOARD MODE TOUCH SENSITIVITY REVERB
EFFECTS
MASTER EQUALIZER PLAYER AUDIO
RECORDER AUDIO .wav (48 kHz, 32-bit floating) on USB Memory MASTER TUNING YES: 415,4Hz to 466,1 Hz (adjustable increments of 0,1 Hz) + 2 Preset (440 Hz, 442 Hz) TEMPERAMENT 9 Types USER TEMPERAMENT 3 User
RHYTHM PATTERNS
DISPLAY Graphic LCD 128 x 64 dots Organic LED, high contrast type
CONNECTORS Power Supply
Stand By: < 0,2 W
POWER CONSUMPTION DIMENSIONS
Maximum: < 9 W
"ErP" LEVEL VI for Echo efficiency on stand-by consumption
WEIGHT 8,8 kg (excluding AC adaptor)
19 lbs 7 oz (excluding AC adaptor)
SUPPLIED ACCESSORIES AC adaptor (DEXIBELL DYS624-120200W) • DX CP1 continuous sustain pedal with selectable ‘mode switch (Switch, continuous)
OPTIONS (sold separately) NOTE
• DX SP1 switch pedal with selectable mode switch (normally closed, normally open) • DX HF7 Stereo headphones
In the interest of product, the specification and description are subject to change without notice.
53
22 Index
Symbols
A
AC Adaptor . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 AUDIO INPUT . . . . . . . . . . . . . . . . . . . . . . . . . 46 AUTO OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
B
Batteries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 duration 15 Installing 14 level indication 14 Removing 14
Battery Compartment . . . . . . . . . . . . . . . . . 10
C
Computer
Connecting Your Computer 16 CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 COUPLED FX . . . . . . . . . . . . . . . . . . . . . . . . . . 43 COUPLED SETTING . . . . . . . . . . . . . . . . . . . . 42
Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Cursor Operation 19 Moving the cursor 20
D
DAMPER PEDAL . . . . . . . . . . . . . . . . . . . . . . . 43 DC IN jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Demo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Digital Player devices
Connecting 16 Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
E
Effect
Reverb Effect 26 EFFECTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Export
Exporting the Internal Memory Set 37
F
File name
Assigning the Name You Specify 20
G
GLOBAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
H
Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Listening Through Headphones 15,16
I
Import
Importing Memory Set 38 Installing batteries . . . . . . . . . . . . . . . . . . . . 14
J
K
Keyboard Response (Key Touch)
Adjusting the Keyboard Response 30 KEYBOARD TOUCH . . . . . . . . . . . . . . . . . . . . 42
Key Touch
Adjusting the Keyboard Response 30
L
Layer
Playing Two Sounds Over the Entire key board (Layer) 22
Level indication . . . . . . . . . . . . . . . . . . . . . . . 14
Lower
Mute the Lower Part 23 LOWER FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 LOWER SETTING . . . . . . . . . . . . . . . . . . . . . . 42
M
MAIN FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 MAIN SETTING . . . . . . . . . . . . . . . . . . . . . . . . 42 MASTER EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 MASTER TUNE . . . . . . . . . . . . . . . . . . . . . . . . 44
Memories
Exporting the Internal Memory Set in the USB Memory 37
Importing Memory Set from the USB Memory into Internal Memory. 38
Recalling your settings from an USB Memory 37
Recalling your settings from Internal Memory 35
Renaming a Memory 37
Saving Your Settings in the Internal Memory 35
Working with the Memories 35 MEMORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
MENU
MENU Options (Advanced Section) 41
Metronome
Practicing with the Metronome 30 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 MIDI Interface . . . . . . . . . . . . . . . . . . . . . . . . . 17 MIDI zones . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Mute the Lower Part . . . . . . . . . . . . . . . . . . 23
N
O
P
Parameters
GLOBAL 48
PEDAL
DAMPER PEDAL 43 PEDAL ASSIGN 1 . . . . . . . . . . . . . . . . . . . . . . 43 PEDAL ASSIGN 2 . . . . . . . . . . . . . . . . . . . . . . 44
Pedal Cord
Connecting the Pedal Cord 15
Power On/Off . . . . . . . . . . . . . . . . . . . . . . . . . 17 Turning the Power On/Off 17
Q
R
Record
Recording Your Performance 34 Removing batteries . . . . . . . . . . . . . . . . . . . 14
Rename
Renaming a Memory 37
Reverb
Reverb Effect 26 REVERB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
S
Save
Saving Your Settings in the Internal Memory 35
Saving Your Settings in the USB Memory 35
SETTING
SETTING Parameters Group 42
Song
Loading from Song Internal Memory 32 Loading from USB Memory 32 Playing a Song 32 Practice with Song Player 32
Sound Library . . . . . . . . . . . . . . . . . . . . . . . . . 24
Sounds
Personalizing Your Sounds 27 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . 53
Split
Splitting the Keyboard Range and Playing Two Different Tones 22
SPLIT MODE . . . . . . . . . . . . . . . . . . . . . . . . . . 42 T
54
Index
T2L EDITOR . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
T2L-Modelling . . . . . . . . . . . . . . . . . . . . . . . . 27
TEMPERAMENT . . . . . . . . . . . . . . . . . . . . . . . 45
Tones
Grand Piano Mode 21
Most Frequently Used Tones (Favorite
Tone) 21
Selecting Tones 21
Transpose
Transposing the pitch of the keyboard or/
and song
30
TRANSPOSE . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . 52
TUNE
MASTER TUNE 44
TUNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
U
USB Memory
Connecting an USB Memory 16,17
Exporting the Internal Memory Set in the
USB Memory
37
Importing Memory Set from the USB
Memory into Internal Memory. 38
Recalling your settings from an USB
Memory 37
Saving Your Settings in the USB Memory
35
USB MIDI Interface . . . . . . . . . . . . . . . . . . . . 17
V
VOLUME knob . . . . . . . . . . . . . . . . . . . . . . . . . 8
W
X
X MURE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Y
Z
Zone (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
55
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